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The accelerating interpenetration of nature and culture is the hallmark of the new "light-green" social order that has emerged in postwar France, argues Michael Bess in this penetrating new history. On one hand, a preoccupation with natural qualities and equilibrium has increasingly infused Frances economic and cultural life. On the other, human activities have laid an ever more potent and pervasive touch on the environment, whether through the intrusion of agriculture, industry, and urban growth, or through the much subtler and more well-intentioned efforts of ecological management."The Light-Green Society" limns sharply these trends over the last fifty years. The rise of environmentalism in the 1960s stemmed from a fervent desire to "save" wild nature-nature conceived as a qualitatively distinct domain, wholly separate from human designs and endeavors. And yet, Bess shows, after forty years of environmentalist agitation, much of it remarkably successful in achieving its aims, the old conception of nature as a "separate sphere" has become largely untenable. In the light-green society, where ecology and technological modernity continually flow together, a new hybrid vision of intermingled "nature-culture" has increasingly taken its place.
Info autore
Michael Bess is an associate professor of history at Vanderbilt University. He is the author of "Realism, Utopia, and the Mushroom Cloud: Four Activist Intellectuals and their Strategies for Peace, 1945-1989," also published by the University of Chicago Press.
Riassunto
Bess traces the technological transformations that shook post-war France, and shows how they led, in turn, to the rise of environmentalist ideas. As technological modernity merged with environmentalism, he contends, the boundaries between nature and society became profoundly blurred.
