Ulteriori informazioni
This
volume provides a transnational study of the impact of musical cultures in
the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the
end of the Cold War and in the early post-Communist period.
Sommario
Introduction
R¿ta Stanevi¿i¿t¿ and Mägorzata Janicka-S¿ysz
Part One: Cultural Encounters and Musicians' Networking
1. From Ignorance to Familiarity: Lithuanian and Polish Musical Networking During the Cold War
R¿ta Stanevi¿i¿t¿, Lithuanian Academy of Music and Theatre
2. On Forms of Memory and Freedom in Polish and Lithuanian Music before and after 1989
Mägorzata Janicka-S¿ysz, Krzysztof Penderecki Academy of Music, Krakow
3. The Musical Meetings in Baranów and Sandomierz as Oases of Freedom
Dominika Micä, Krzysztof Penderecki Academy of Music, Krakow
4. Rebellion and Identity: A Generational Breakthrough in Polish Music in the 1970s
Kinga Kiwäa, Krzysztof Penderecki Academy of Music, Krakow
Part Two: The Musical Expression of Cultural and Political Liberation
5. The Idea of Freedom in Krzysztof Penderecki's Works: From Experience to Expression
Iwona Sowi¿ska-Fruhtrunk, Krzysztof Penderecki Academy of Music, Krakow
6. Nodes and Turning Points in the Life and Art of Henryk Miko¿aj Górecki as a Resonance of Polish Politics and History in the Second Half of the Twentieth Century
Teresa Malecka, Krzysztof Penderecki Academy of Music, Krakow
7. The Dimensions of Freedom in Wojciech Marczewski's Movie Escape from the "Liberty" Cinema and Witold Leszczy¿ski's Siekierezada (Axiliad): Music Functions in Films
Ewa Czachorowska-Zygor, Krzysztof Penderecki Academy of Music, Krakow
8. Lithuanian Music in Transition: Independent Festivals of the 1980s and 1990s
Vita Gruodyt¿, Lithuanian Academy of Music and Theatre
Part Three: Music and Politics before and after the Fall
9. Disco Culture and the Ritual Journey in the Soviet 1980s
Kevin C. Karnes, Emory University
10. The Ganelin Trio, Rova Saxophone Quartet, and US-Soviet Cultural Exchanges in the 1980s
Peter J. Schmelz, Arizona State University
11. On the Other Side of Freedom: The Band Mi¿o¿¿ and the Polish Yass Scene
Andrzej M¿dro, Krzysztof Penderecki Academy of Music, Krakow
12. Critics' Choice: New Russian Music Criticism and Leonid Desyatnikov
Olga Manulkina, Saint Petersburg State University
Editors and Contributors
Index of Names
Info autore
Małgorzata Janicka-Słysz is a music theorist, head of the
Department of Theory and Interpretation of Musical Work at Krzysztof Penderecki Academy of Music,
Krakow, a member of the editorial board of the journal Theory of Music,
and professor at the Academy of Music, Krakow. She is the author of Vytautas
Bacevićius i jego idee muzyki kosmicznej (2001) and Poetyka muzyczna
Karola Szymanowskiego. Studia i interpretacje (2013).
Rūta Stanevičiūtė is a musicologist, director of the
Research Centre at the Lithuanian Academy of Music and Theatre, and a
chief-editor of the journal Lithuanian Musicology. She is the author of The
Figures of Modernity: The International Society for Contemporary Music and
the Spread of Musical Modernism in Lithuania (VDA, 2015), and the co-author
of Nylon Curtain: Cold War, International Exchange and Lithuanian Music
(LMTA, 2018), and Sound Utopias: Lithuanian Music Modernization in
Context (2021).
Riassunto
Thisvolume provides a transnational study of the impact of musical cultures inthe Eastern Baltics—Lithuania, Latvia, Poland, and Russia—at theend of the Cold War and in the early post-Communist period.
