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Informationen zum Autor MATTHEW BERNSTEIN is an associate professor of film studies at Emory University. He is the author of Walter Wanger: Hollywood Independent and a former coordinating editor of The Velvet Light Trap. GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age. Klappentext Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Inhaltsverzeichnis Acknowledgments Introduction - Matthew Bernstein Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella Shohat PART ONE HISTORICAL AND GENERIC CONTEXTS The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant ``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn Studlar The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLean The Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina Heung A Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan Nadel PART TWO NATIONAL CINEMAS The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'Brien Praying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley Andrew In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice Morgon Timeless Histories: A British Dream of Cleopatra - Mary Hamer Reading The Letter in a Postcolonial World - Phebe Shih Chao Orientalism in Film: A Select Bibliography About the Contributors Index
