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Zusatztext The fast-moving nature of the contemporary music industries, politics and policy formulation make for an extremely rich but underdeveloped research field. By drawing on a combination of perspectives from around the world, this handbook offers a mixture of history, theorization, typologies and practical examples of policy in action. This means it provides not only the most detailed overview of the field to date, but also sets the agenda for future research. Informationen zum Autor Shane Homan is Head of the School of Media, Film, and Journalism at Monash University, Australia. He is a leading international researcher on the music industries and music policy, including work with various Australian governments. He is the co-author of Popular Music and the State (2015), the co-editor of Popular Music and Cultural Policy (2015), Sounds of Then, Sounds of Now (2008), and Access All Eras (2006), and editor of The Bloomsbury Handbook of Popular Music Policy (2022). His latest co-authored book is Music City Melbourne (Bloomsbury, 2022). Klappentext The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts. Vorwort Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy. Zusammenfassung The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts. Inhaltsverzeichnis List of Figures Notes on Contributors Acknowledgements 1. Introduction: Situating Popular Music Policy Shane Homan, Monash University, Australia Part I: Policy Contexts2. Distributing Rights and Resources: The Cultural Politics of Popular Music Policy John Street, University of East Anglia, UK 3 . The presence and Absence of Policy in the Digital Music Industries Daniel Nordgård , University of Agder, Norway 4. Property or Status? Music and Musicians Under Copyright Thomas Dillon, Barrister, UK Part II: Policy Sectors5. Conceptualising Popular Music’s Heritage as an Object of Policy: Preservation, Performance and Promotion ...
