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The dramaturgies from the body are readings that are made of the discourses elaborated on stage, which are not always reflected in their final publication. I try to reconstruct, by means of different epistemic paths, that transit that the body undergoes when it is submitted to its representation on stage and vice versa, resulting in an amalgam of symbolic values that are consumed in a final text. Designing the aesthetic categories of study of these dramaturgies created on stage, allows us to compare different working methods, which are manifested by constantly violating the body, using different structures of fragmentation of the discourse. The proposal of different aesthetic categories used is born from the exploration carried out by each artist studied here (multiple and from different regions of Latin America), generating a final dramaturgy, which, after suffering the onslaught of this scenic process, returns with intercultural marks and particular visions, which transform them into dynamic written bodies.
Info autore
Director de Teatro e dramaturgo. Director da Companhia de Teatro El Incinerador (Venezuela) e da Companhia Entre Fronteiras Teatro (Brasil). Bolsista da CAPES-Cnpq no Doutorado em Sociedade, Cultura e Fronteiras na Universidade Estadual do Oeste do Paraná (UNIOESTE-Brasil). Fundador do Grupo de Investigação e da revista Proyecto FRONTERAS.
