Fragment, Image, and Absence in 1960s Japan

Examines the transformation of "the object" and the aesthetics of disaffection in the experimental art and photography of 1960s Japan.

Info autore

Ignacio A. Adriasola Muñoz is Associate Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia.

Riassunto

Examines the transformation of “the object” and the aesthetics of disaffection in the experimental art and photography of 1960s Japan.

Dettagli sul prodotto

• Autori: Ignacio A. (University of British Columbia) Adriasola Munoz, Ignacio A. Adriasola Muñoz
• Editore: University Presses
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 03.01.2023
• EAN: 9780271092904
• ISBN: 978-0-271-09290-4
• Dimensioni: 178 mm x 241 mm x 25 mm
• Peso: 771 g
• Illustrazioni: Raster,schwarz-weiss, Raster, farbig
• Serie: Refiguring Modernism
• Categorie: Scienze umane, arte, musica > Arte > Storia dell'arte; Japan, Photography & photographs, ART / History / General, HISTORY / Asia / Japan, ART / History / Contemporary (1945-), ART / Asian / Japanese, ART / Conceptual, History of Art, c 1960 to c 1970, Art & design styles: c 1900 to c 1960, c 1960 to c 1969, Photography and photographs, Art & Design Styles: Conceptual Art, Conceptualism