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Explores the link between revolutionary change in the Victorian world of print and women's entry into the field of mass-market publishing This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of unprecedented change, 1832-1860. It includes discussions of canonical women writers such as Felicia Hemans, Charlotte Brontë and George Eliot, as well as lesser-known figures such as Eliza Cook and Frances Brown. It also examines the ways in which women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. At the same time, it demonstrates how Victorian women's participation in popular print culture anticipates our own engagement with new media in the twenty-first century. Alexis Easley is Professor of English at the University of St. Thomas in St. Paul, Minnesota.
Info autore
Alexis Easley is Professor of English at the University of St. Thomas in St. Paul, Minnesota. She is the author of
First-Person Anonymous: Women Writers and Victorian Print Media, 1830-70 (2004) and
Literary Celebrity, Gender, and Victorian Authorship, 1850-1914 (2011). She has also co-edited four books, most recently
Women, Periodicals, and Print Culture in Britain, 1830s-1900s, with Clare Gill and Beth Rodgers (2019). Her most recent book publication is
New Media and the Rise of the Popular Woman Writer, 1832-60 (2021). This project was a 2019 recipient of the Linda H. Peterson Prize awarded by the Research Society for Victorian Periodicals. She is currently at work on a biography of Eliza Cook.
Riassunto
This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of revolutionary change, 1832 1860.
