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Informationen zum Autor Daphne Lei is Professor of Drama, at the University of California, Irvine. She is internationally known for her work on Chinese opera, Asian American theatre, intercultural theatre, and diasporic and transnational performance. She is the author of many scholarly articles, both in English and Chinese. She has published two books: Operatic China: Staging Chinese Identity across the Pacific (2006) and Alternative Chinese Opera in the Age of Globalization: Performing Zero (2011). Her articles can be seen in many scholarly journals such as Theatre Journal , Theatre Survey , Theatre Research International , Anthropological Quarterly , Arts and Literature Studies (in Chinese). She is the president of American Society for Theatre Research (ASTR, 2015-2018). Charlotte McIvor is Senior Lecturer in Drama and Theatre Studies at NUI Galway. She is the author of Migration and Performance in Contemporary Ireland: Towards A New Interculturalism (2016), and the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler, 2014) and Devised Performance in Irish Theatre: Histories and Contemporary Practice (with Siobhán O’Gorman, 2015). Her work has also appeared in Modern Drama , Irish Studies Review , Irish University Review among others and multiple edited collections. Klappentext The Methuen Drama Handbook of Interculturalism and Performance explores ground-breaking new directions and critical discourse in the field of intercultural theatre and performance while surveying key debates concerning interculturalism as an aesthetic and ethical series of encounters in theatre and performance from the 1960s onwards. The handbook's global coverage challenges understandings of intercultural theatre and performance that continue to prioritise case studies emerging primarily from the West and executed by elite artists. By building on a growing field of scholarship on intercultural theatre and performance that examines minoritarian and grassroots work, the volume offers an alternative and multi-vocal view of what interculturalism might offer as a theoretical keyword to the future of theatre and performance studies, while also contributing an energized reassessment of the vociferous debates that have long accompanied its critical and practical usage in a performance context. By exploring anew what happens when interculturalism and performance intersect as embodied practice, The Methuen Drama Handbook of Interculturalism and Performance offers new perspectives on a seminal theoretical concept still as useful as it is controversial. Featuring a series of indispensable research tools, including a fully annotated bibliography, this is the essential scholarly handbook for anyone working in intercultural theatre and performance, and performance studies. Zusammenfassung The Methuen Drama Handbook of Interculturalism and Performance explores ground-breaking new directions and critical discourse in the field of intercultural theatre and performance while surveying key debates concerning interculturalism as an aesthetic and ethical series of encounters in theatre and performance from the 1960s onwards. The handbook’s global coverage challenges understandings of intercultural theatre and performance that continue to prioritise case studies emerging primarily from the West and executed by elite artists. By building on a growing field of scholarship on intercultural theatre and performance that examines minoritarian and grassroots work, the volume offers an alternative and multi-vocal view of what interculturalism might offer as a theoretical keyword to the future of theatre and performance studies, while also contributing an energized reassessment of the vociferous debates that have long accompanied its critical and practical usage in a perfor...
