Shakespeares Contested Nations - Race, Gender, Multicultural Britain in Performances of History Plays

Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to re-examine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways.

A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function that Shakespeare's narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles-staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000-2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC's Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett's King Charles III (2014, 2017).
This book will be of great interest to scholars and students of Shakespeare, theatre, and politics.

Sommario

Acknowledgements

Introduction: Representing the Nation's History

1. Staging the Multiethnic Nation: Boyd and Hytner at the Millennial Threshold



2. Shakespeare and the Cultural Olympiad: Gender, Race, and the British Nation in the BBC's Hollow Crown, Series One



3. Hollow Refuge: The BBC's The Wars of the Roses and This Fortress Built by Nature



4. The Disappearing Moor: Race, Authenticity, and the Nation's History in Wolf Hall and Bring Up the Bodies



5. The Trouble with History: Intersections of Nation, Race, and Gender in King Charles III




6. Epilogue: The Case of Two Richards



7. References

Index

Info autore

L. Monique Pittman is Professor of English and Director of the J. N. Andrews Honors Program at Andrews University, USA.

Riassunto

Shakespeare’s Contested Nations examines the way in which performed Shakespearean history replicates exclusions, critiques narrative omissions, and affords opportunities to tell new stories about the nation as an ever-changing multicultural body.

Dettagli sul prodotto

• Autori: L Monique Pittman, L. Monique Pittman, Pittman L. Monique
• Editore: Taylor & Francis Ltd.
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 30.04.2022
• EAN: 9780367488314
• ISBN: 978-0-367-48831-4
• Pagine: 248
• Serie: Routledge Advances in Theatre & Performance Studies
• Categorie: Narrativa > Poesia lirica, drammatica > Drammatica; Scienze sociali, diritto, economia > Scienze politiche > Scienze politiche e cittadinanza attiva; Scienze umane, arte, musica > Arte > Teatro, balletto; English, LITERARY CRITICISM / General, ART / General, PERFORMING ARTS / General, LITERARY CRITICISM / Shakespeare, DRAMA / Shakespeare, PERFORMING ARTS / Theater / General, ART / Art & Politics, PERFORMING ARTS / Theater / History & Criticism, PERFORMING ARTS / Acting & Auditioning, United Kingdom, Great Britain, Literary studies: c 1500 to c 1800, Shakespeare Studies & Criticism, Literary studies: plays and playwrights, Literary studies: c 1400 to c 1600, Relating to Shakespeare / Shakespearean