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This book identifies the-now moribund-Modernist spirit of the twentieth century, with its "make it new" attitude in the arts, and its tendency towards abstraction and the scientific process, as the impetus behind the academic structures of universities and museums, together with the development of discrete scholarly disciplines such as literary theory, sociology, and art history based on quasi-scientific principles. Arguing that the Modernist project is approaching exhaustion and that the insights that it has left to yield are approaching triviality, it explores the Modernist links between the arts and academic pursuits of the West-and their relationship with street protests-in the long twentieth century, considering what might follow this Modernist era. An examination of the broad cultural and intellectual-and now political-trends of our age, and their decline, The End of the Modernist Era in Arts and Academia will appeal to scholars and students of social theory, philosophy, literary studies, and cultural studies.
Sommario
Part I: What Hath Modernism Wrought? 1. Beyond Romanticism 2. Movements 3. Why Modernism? 4. Academia 5. Museums Part II: Abstraction 6. Explanation 7. Science Envy 8. Offended? You Win! 9. Life After Modernism Part III: The Spectrum of Disciplines 10. Personal and Impersonal 11. Fundamental Rules 12. Verifiability Part IV: Words in the World 13. Form Follows Function 14. The Cloud 15. Circumstances 16. What Is the Self?
Info autore
Bruce Fleming is Professor of English at the US Naval Academy and is the author of Running is Life: Transcending the Crisis of Modernity, Modernism and Its Discontents: Philosophical Problems of Twentieth-Century Literary Theory, Why Liberals and Conservatives Clash: A View from Annapolis and What Literary Studies Could Be, and What It Is, among other works.
Riassunto
Contending that the Modernist project of the long 20th century is approaching exhaustion, with its remaining insights approaching triviality, this book explores the Modernist links between the arts and academic pursuits of the West – and their relationship with street protests – and considers what might follow this Modernist Era.
