Fr. 55.50

Shakespeare on Film - Contemporary Critical Essays

Inglese · Tascabile

Spedizione di solito entro 3 a 5 settimane

Descrizione

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This collection of contemporary criticism highlights the extent to which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-structuralism, generating a radical reappraisal of a Shakespearean cinema which has itself experienced a revival in the last decade. Ranging widely across the canon of Shakespeare films, from Max Reinhardt's A Midsummer Night's Dream to Peter Greenaway's Prospero's Books, the essays address the cultural politics of film adaptation from a variety of angles, offering readings of individual films - Hamlet, Henry V, The Tempest - but also raising larger questions about the nature, purpose and future direction of Shakespearean cinema.

Sommario

Acknowledgements.- General Editor's Preface.- Introduction; R.Shaughnessy.- Realising Shakespeare on Film; J.J.Jorgens.- Laurence Olivier's Henry V; A.Davies.- Shakespeare and Film: A Question of Perspective; C.Belsey.- Radical Potentiality and Institutional Closure; G.Holderness.- Symbolism in Shakespeare Film; J.Collick.- Olivier, Hamlet and Freud; P.S.Donaldson.- Branagh and the Prince, or a 'royal fellowship of death'; C.Breight.- A Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II; C.MacCabe.- Katherina Bound; or Play(K)ating the Strictures of Everyday Life; B.Hodgdon.- Drowning the Book: Prospero's Books and the Textual Shakespeare; D.Lanier.- Further Reading.- Notes on Contributors.- Index.

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