Fr. 125.00

Noir Fiction and Film - Diversions and Misdirections

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

Descrizione

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A study of detective and crime fiction and film from the 1920s to the present day that challenges the commonplace perception that narratives depend heavily on plot for their effects.

Sommario










  • Prologue: Procrastinating Plots and Commonplace Pleasures

  • 1: Hard-Boiled Intimations

  • 2: Descriptive Digressions

  • 3: Dialogue Scaffoldings

  • 4: Lost Identities

  • 5: Sequel Reminders

  • 6: Cinematic Resolutions

  • 7: Beyond Authenticity

  • Epilogue: "If They Had Been Better"

  • Bibliography



Info autore

Lee Clark Mitchell is Holmes Professor of Belles-Lettres at Princeton University, where he has served as Chair of the English Department and Director of the Program in American Studies. He teaches courses in American literature and film, with recent essays focusing on Cormac McCarthy, John Williams, the Coen brothers, and Edith Wharton. His recent books include Mere Reading: The Poetics of Wonder in Modern American Novels (Bloomsbury, 2017), Late Westerns: The Persistence of a Genre (Nebraska, 2018), and More Time: Contemporary Short Stories and Late Styles (Oxford, 2018).

Riassunto

A study of detective and crime fiction and film from the 1920s to the present day that challenges the commonplace perception that narratives depend heavily on plot for their effects.

Testo aggiuntivo

With some interesting observations and a huge collection of data about genres in the book under discussion here, there are some good and fresh points concerning style, method and procedure, even when hard-boiled fiction and films noir are reduced to their most basic configurations.

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