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b>A fresh look at a period of English art that has surged in interest and popularity in recent years, authored by one of Britain''s leading art historians and critics./b>br/> br/> The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names - Paul Nash, Eric Ravilious and Stanley Spencer - have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In i>The Real and the Romantic/i>, Frances Spalding, one of Britain''s leading art historians and critics, takes a fresh and timely look at this rich period in English art.br/> br/> The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cezanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange.br/> br/> Throughout these years, the pursuit of ''the real'' was set against, and sometimes merged with, an inclination towards the ''romantic'', as English artists sought to respond to their subjects and their times.
Sommario
Introduction
1. Pitiless Realism
2. Resistance and Innovation
3. On the Move
4. Landscape and Places of the Mind
5. Beginning Again
6. What ho, Giotto
7. Expanding the Western European Tradition
8. Make It Real
9. Revivalism
10. Modern Art in a Philistine World
11. The Austere, the Violent or the Strange
12. The Spanish Civil War and Mondrian in London
Relazione
'Superb .... Spalding also uses her persuasive narrative to highlight the role of women artists in the period. As the biographer of a cluster of Bloomsbury figures, she unsurprisingly gives Dora Carrington and Vanessa Bell full measure, but also lesser-known figures such as the single-minded New Zealander Frances Hodgkins, Evelyn Dunbar and Winifred Knights' - Michael Prodger, Sunday Times
