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Homeward from Heaven is Boris Poplavsky's masterpiece, written just before his life was cut short by a drug overdose at the age of thirty-two. Set in Paris and on the French Riviera, it recounts the escapades, malaise, and love affairs of a bohemian group of Russian expatriates.
Sommario
Introduction, by Bryan Karetnyk
A Note on the Text
A Note on Transliteration
Homeward from Heaven
Notes
Info autore
Boris Poplavsky (1903–35) was born in Moscow to a wealthy family and fled Russia in the wake of the October Revolution, settling in Paris in 1921. Although he published only a handful of excerpts from larger works and a single book of poetry during his lifetime, he was hailed by his peers as one of the leading writers of his generation. His works in English translation include the novel Apollon Bezobrazov (2015).
Bryan Karetnyk is the translator of Alexander Grin’s Fandango and Other Stories (Columbia, 2020) as well as works by Gaito Gazdanov, Irina Odoevtseva, and Yuri Felsen. He is the editor and principal translator of the anthology Russian Émigré Short Stories from Bunin to Yanovsky (2017).
Riassunto
Homeward from Heaven is Boris Poplavsky’s masterpiece, written just before his life was cut short by a drug overdose at the age of thirty-two. Set in Paris and on the French Riviera, this final novel by the literary enfant terrible of the interwar Russian diaspora in France recounts the escapades, malaise, and love affairs of a bohemian group of Russian expatriates.
The novel’s protagonist and sometime narrator is Oleg, whose intense love for two women leads him along a journey of spiritual transfiguration. He follows Tania to a seaside resort, but after a passionate dalliance she jilts him. In the cafés of Montparnasse, Oleg meets Katia, with whom he finds physical intimacy and emotional candor, yet is unable to banish a lingering sense of existential disquiet and destitution. When he encounters Tania again in Paris, his quest to comprehend the laws of spiritual and physical love begins anew, with results that are both profound and tragic.
Taken by Poplavsky’s contemporaries to be semiautobiographical, Homeward from Heaven stands out for its uncompromising depictions of sexuality and deprivation. Richly allusive and symbolic, the novel mixes psychological confession, philosophical reflection, and social critique in prose that is by turns poetic, mystical, and erotic. It is at once a work of daring literary modernism and an immersive meditation on the émigré condition.
