Fr. 35.50

Leave the Gun, Take the Cannoli

Inglese · Copertina rigida

Spedizione di solito entro 6 a 7 settimane

Descrizione

Ulteriori informazioni

The behind-the-scenes story of the making of The Godfather, fifty years after the classic film's original release.The story of how The Godfather was made is as dramatic, operatic, and entertaining as the film itself. Over the years, many versions of various aspects of the movie's fiery creation have been told-sometimes conflicting, but always compelling. Mark Seal sifts through the evidence, has extensive new conversations with director Francis Ford Coppola and several heretofore silent sources, and complements them with colorful interviews with key players including actors Al Pacino, James Caan, Talia Shire, and others for irresistible insights into how the movie whose success some initially doubted roared to glory.On top of the usual complications of filmmaking, the creators of The Godfather had to contend with the real-life members of its subject matter: the Mob. During production of the movie, location permits were inexplicably revoked, author Mario Puzo got into a public brawl with an irate Frank Sinatra, producer Al Ruddy's car was found riddled with bullets, men with "connections" vied to be in the cast, and some were given film roles.As Seal notes, this is the tale of "a classic movie that revolutionized filmmaking, saved Paramount Pictures, minted a new generation of movie stars, made its struggling author Mario Puzo rich and famous, and sparked a war between two of the mightiest powers in America: the sharks of Hollywood and the highest echelons of the Mob." ?Leave the Gun, Take the Cannoli is the lively and complete story of how a masterpiece was made, perfect for anyone who loves the movies.

Dettagli sul prodotto

Autori Mark Seal
Editore Simon & Schuster USA
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 28.10.2021
 
EAN 9781982158590
ISBN 978-1-982158-59-0
Dimensioni 160 mm x 240 mm x 35 mm
Categorie Saggistica > Musica, film, teatro

Films, cinema, PERFORMING ARTS / Film / History & Criticism, PERFORMING ARTS / Film / General, Individual Film Directors, Film-Makers, Film Theory & Criticism, PERFORMING ARTS / Individual Director, Film history, theory or criticism

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