Ulteriori informazioni
Zusatztext What emerges ... from these nuanced and thoughtful readings of prose essays on poetry is a persuasive narrative of how a certain strand of philosophical thinking in France developed an idea of poetry as the site of an endless questioning. What emerges ... from these nuanced and thoughtful readings of prose essays on poetry is a persuasive narrative of how a certain strand of philosophical thinking in France developed an idea of poetry as the site of an endless questioning. Informationen zum Autor Joseph Acquisto is Professor of French at the University of Vermont, USA. His books include Reading Baudelaire with Adorno: Subjectivity, Dissonance, Transcendence (Bloomsbury 2023), Proust, Music, and Meaning: Theories and Practices of Listening in the Recherche (2017), and The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy (Bloomsbury 2015). Vorwort Examines the role of productive ignorance in defining poetry and its relation to subjectivity in 19th- and 20th-century French writings on poetry. Zusammenfassung What kind of knowledge, if any, does poetry provide? Poets make poems, but they also make meaning and craft a kind of learned and creative ignorance as they provide infinitely revisable answers to the question of what poetry is. That question of poetry’s definition invites broader ones about the relationship of poetry to other lived experience. Poetry thus implies something like a way of life that is resistant to definitive statements and conclusions, and the creation of communities of readers and writers that live in ever-renewed questioning. To resist concluding is to embrace a kind of productive ignorance, a knowledge that is first and foremost aware of poetic knowledge’s own limits. Poetry's Knowing Ignorance shows, through an examination of French poetry, how it is this dialogue in response to a constant questioning, to an answer-turned-question, that continues to blur the boundary between poetry and writing about poetry, between poetry and criticism, and between poetry and other kinds of experience. Inhaltsverzeichnis Note on Translations Introduction: “That Key That You Must Always Keep on Losing”1 Knowledge, Truth, and Ignorance in Nineteenth-Century Poetry (Hugo and Baudelaire)2 Saying the Ineffable: Poetry is Poetry (From the Romantics to Valéry)3 Non-knowledge, Limit, and Productive Impossibility (Bataille and Blanchot)4 “Moving forth from uncertainty all the same” (Jaccottet and Maulpoix) 5 Poetry, Community, Relation Notes Bibliography Index ...
