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Informationen zum Autor Gavin Parkinson is Professor of European Modernism, The Courtauld Institute of Art, UK. Klappentext Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic. Inhaltsverzeichnis Introduction: Art After Impressionism After Surrealism 1. Greengrocer, Bricklayer or Seer? Psychoanalyzing Paul Cézanne 2. Painting as Propaganda and Prophecy: René Magritte and Pierre-Auguste Renoir 3. Method and Poetry: Georges Seurat's Surrealist Dialectic 4. Between Dog and Wolf: Georges Seurat, Brassaï and the City of Light 5. Civilization, Realism, Abstraction: Paul Gauguin and Surrealism, 1948-53 6. Dialectic of Brittany: From Myth to Folklore in Paul Gauguin and Surrealism Epilogue: Disenchanted Ground, or Vincent van Gogh, Antonin Artaud and Magic in 1947 Conclusion: On André Breton Bibliography List of Illustrations Index
