Fr. 15.50

Andrew Bick - original/ghost/compendium

Tedesco, Inglese · Copertina rigida

Spedizione di solito entro 1 a 2 settimane

Descrizione

Ulteriori informazioni

When Andrew Bick goes about his painting, it is not only in the spirit of creativity but also in a rich actualization of art history. Influenced above all by English Constructivism and System Art, Bick has found his own style. The starting point of each work is the grid. It structures the ground upon which Bick makes his shapes dance. Some lines define boundaries in the painting process, others are painted over, and sometimes the brush completely departs from the drawing's guidelines and fills the pictorial space with the voluminous quality of its color. This creates a multifaceted interplay between order and freedom, painting and drawing, past and present. The transitions are hardly noticeable, bringing the extremes together and captivating the viewer.
ANDREW BICK (*1963, Coleford, Great Britain) studied painting at the Chelsea School of Art. He places his work in the tradition of constructivism. He was a research fellow at the Henry Moore Institute and is the winner of the Premio Internazionale Fiar.

Info autore

ANDREW BICK (*1963, Coleford, Großbritannien) studierte Malereian der Chelsea School of Art. Er war Research Fellow am Henry MooreInstitute und ist Gewinner des Premio Internazionale Fair Play. SeineArbeit stellt er in die Tradition des Konstruktivismus.

Riassunto

When Andrew Bick goes about his painting, it is not only in the spirit of creativity but also in a rich actualization of art history. Influenced above all by English Constructivism and System Art, Bick has found his own style. The starting point of each work is the grid. It structures the ground upon which Bick makes his shapes dance. Some lines define boundaries in the painting process, others are painted over, and sometimes the brush completely departs from the drawing's guidelines and fills the pictorial space with the voluminous quality of its color. This creates a multifaceted interplay between order and freedom, painting and drawing, past and present. The transitions are hardly noticeable, bringing the extremes together and captivating the viewer.
ANDREW BICK (*1963, Coleford, Great Britain) studied painting at the Chelsea School of Art. He places his work in the tradition of constructivism. He was a research fellow at the Henry Moore Institute and is the winner of the Premio Internazionale Fiar.

Dettagli sul prodotto

Autori Andrew Bick, J Melvin, Jo Melvin, Harald Pridgar, Sabin Schaschl, Sabine Schaschl, Sabine u a Schaschl, John Wood
Con la collaborazione di Haus Konstruktiv Zürich (Editore), Haus Konstruktiv Zürich (Editore), Zürich Museum Haus Konstruktiv (Editore), Sabin Schaschl (Editore), Sabine Schaschl (Editore)
Editore Hatje Cantz Verlag
 
Lingue Tedesco, Inglese
Formato Copertina rigida
Pubblicazione 21.12.2020
 
EAN 9783775748568
ISBN 978-3-7757-4856-8
Pagine 160
Dimensioni 265 mm x 20 mm x 300 mm
Peso 1233 g
Illustrazioni 120 Abb.
Serie MONOGRAFIE
Zeitgenössische Kunst
Categorie Saggistica > Arte, letteratura
Scienze umane, arte, musica > Arte

Abstrakte Kunst, Verstehen, Geometrie, England, Künste, Bildende Kunst allgemein, Malerei und Gemälde, Raster, Zeitgenösische Kunst, System Art

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