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Zusatztext Assembling a magnificent cluster of scholars, Sense8: Transcending Television is an indispensable companion to the Netflix series. Beautifully written and pulsing with critical insights, this collection of essays demonstrates the same ‘radical empathy’ embodied by Sense8 itself. It reveals how the sensate – a group of individuals bound to one another despite distance and difference – mirrors the immersive and collective viewing experience of audiences in the streaming era. Shaw and Stone’s collection not only articulates the generative potential of Sense8 ’s queer and trans world building – it heightens it. Informationen zum Autor Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth, UK. She is the founding co-editor of the journal Transnational Cinemas (Now Transnational Screens) , and her books include Contemporary Latin American Cinema: Ten Key Films (2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013), The Transnational Fantasies of Guillermo del Toro (co-edited with Ann Davies and Dolores Tierney, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (co-edited with Deborah Martin 2017). Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of Birmingham, UK, where he co-directs B-Film: The Birmingham Centre for Film Studies. He has published widely on European, Spanish, Basque, Cuban and independent American cinema and is the author of Spanish Cinema (2001), The Wounded Throat: Flamenco in the Works of Federico Garcia Lorca and Carlos Saura (2004), Julio Medem (2007) and Walk, Don’t Run: The Cinema of Richard Linklater (2013, 2nd edn 2017). He also co-authored Basque Cinema: A Cultural and Political History (2016) and Cine Vasco (2016), and co-edited The Unsilvered Screen: Surrealism on Film (2007), Screening Songs in Hispanic and Lusophone Cinema (2013), A Companion to Luis Buñuel (2013), Screening European Heritage (2016) and The Routledge Companion to World Cinema (2017). Zusammenfassung This collection explores the many ways in which the Netflix series Sense8 transcends television. As its characters transcend physical and psychological borders of gender and geography, so the series itself transcends those between television, new media platforms and new screen technologies, while dissolving those between its producers, stars, audiences and fans. Sense8 united, inspired and energized a global community of fans that realized its own power by means of online interaction and a successful campaign to secure a series finale. The series' playful but poignant exploration of globalization, empathy, transnationalism, queer and trans aesthetics, gender fluidity, imagined communities and communities of sentiment also inspired the interdisciplinary range of contributors to this volume. In this collection, leading academics illuminate Sense8 as a progressive and challenging series that points to vital, multifarious, contemporary social, political, aesthetic and philosophical concerns. Sense8: Transcending Television is much more than an academic examination of a series; it is an account and analysis of the way that we all receive, communicate and consider ourselves as participants in global communities that are social, political and cultural, and now both physical and virtual too. Inhaltsverzeichnis List of figuresList of contributorsIntroduction: A Sense8 of Belonging Deborah Shaw and Rob Stone 1. What’s Going On?: Netflix and the Commissioning of Sense8 Amanda Lotz 2. You Are No Longer Just You: Netflix, Sense8 and the Evolution of Television Zoë Shacklock 3. Skip Intro?: Sense8 ’s Title ...
