Ulteriori informazioni
Zusatztext A sound and informative analysis of a rich subject. Although it has a strong academic basis, the book is approachable, with many specialist historical aspects outlined. The many illustrations give us a view of Lilien’s art and related images. Informationen zum Autor Lynne M. Swarts is Honorary Research Associate, Department of History, University of Sydney, Australia. Klappentext Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship.Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius. Zusammenfassung Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien’s work available in English, making this book an important contribution to historical and art-historical scholarship.Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien’s groundbreaking male iconography in Zionist art, but is the first to examine Lilien’s complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien’s female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius. Inhaltsverzeichnis Introduction: Finding Blind Spots Chapter One: Ephraim Moses Lilien and His Oeuvre : Context and Contested Issues Chapter Two: 'We Put All our Hope in Him': Lilien, Zionism and Male Aesthetics Chapter Three: Boundaries and Borderlines: The 'New Woman' and the New Jewish Woman Chapter Four: The Dangerous 'Other': Lilien's Femmes Fatales , Other Male Avant-garde Behaviour and Elsa Lasker-Schüler's Transgendered Vision Chapter Five: Biblical Heroines, Biblical Illustrations and the Search for Meaning Chapter Six: Ost und West , Zionism and the Construction of German Jewish Orientalism Chapter Seven: The Exotic 'Other': Lilien's Oriental Beauties and a Jewish Oriental Voice? Conclusion Bibliography ...
