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For two centuries, Gesamtkunstwerk-the ideal of the "total work of art"-has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk's lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea's evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.
Sommario
List of Illustrations
List of Tables
Foreword Celia Applegate Acknowledgements
Introduction Margaret Eleanor Menninger PART I: FOUNDATIONS Chapter 1. The Play's the Thing: Schiller, Wagner, and Gesamtkunstwerk
Nicholas Vazsonyi Chapter 2. From the Gesamtkunstwerk to the Music Drama
Sanna Pederson Chapter 3. Richard Wagner,
Parsifal, and the Pursuit of Gesamtkunstwerk
Anthony J. Steinhoff PART II: ARTICULATIONS Chapter 4. Epic Gesamtkunstwerk
Joy H. Calico Chapter 5. Gesamtkunstwerk, Gestaltung, and the Bauhaus Stage
Melissa Trimingham Chapter 6. Exposing the Political Gesamtkunstwerk: Hanns Eisler's
Nuit et Brouillard Amy Lynn Wlodarski
Chapter 7. Reconciling the "Three Graceful Hellenic Sisters": Wagner, Dance, and "Song-Ballets", Set to Richard Strauss's
Vier letzte Lieder Wayne Heisler, Jr. PART III: INSPIRATIONS Chapter 8. The "Translucent (Not: Transparent)"
Gesamtglaswerk Jenny Anger Chapter 9. Quiet Audience, Roaring Crowd: The Aesthetics of Sound and the Traces of Bayreuth in
Kuhle Wampe and
Triumph of the Will Theodore F. Rippey Chapter 10. The Will to Heal: Gesamtkunstwerk and Memorial Music since 1945
Julia Goodwin and Margaret Eleanor Menninger Chapter 11. Consuming Voices: Musical Film and the Gesamtkunstwerk of Mass Culture
David Imhoof Afterword: Gesamtkunstwerk as Epistemic Space
Kevin S. Amidon Bibliography
Index
Info autore
David Imhoof is Professor of History at Susquehanna University in Selinsgrove, Pennsylvania. Bloomsbury Press recently published his textbook So, About Modern Europe: A Conversational History from the Enlightenment to the Present. He is the author of Becoming a Nazi Town (Michigan, 2013) and co-editor of a special edition of Colloquia Germanica (2016) on sound studies. He is currently writing a history of the German record industry. Imhoof also directs the Music and Sound Studies Network for the German Studies Association.
Margaret Eleanor Menninger is Associate Professor of History at Texas State University and Executive Director of the German Studies Association. She has published on the history of cultural philanthropy in both the United States and Germany and was a contributor to The Cambridge Wagner Encyclopedia. Her forthcoming book is entitled A Serious Matter and True Joy: Philanthropy, the Arts, and the State in Nineteenth-Century Leipzig.
Anthony J. Steinhoff is Associate Professor of History at the Université du Québec à Montréal. A specialist in modern German and French cultural and social history, he is the author of The Gods of the City: Protestantism and Religious Culture in Strasbourg, 1870-1914 (Brill, 2008) and the translator of Rita Kuczynski’s Mauerblume: Ein Leben auf der Grenze (Wall Flower: A Life on the German Border; University of Toronto Press, 2015). He is currently writing a cultural history of Richard Wagner’s Parsifal and operatic culture in German-speaking Europe in the late nineteenth and twentieth centuries.
