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Zusatztext So many thousands of words have been written about the Star Wars phenomenon that one started to wonder whether there was anything left to say. As this carefully researched, engagingly written and often strikingly original book demonstrates, the answer is yes, there is. Even for the most well-informed scholar and the most dedicated fan much is to be learned here. The emphasis is on the evolution of the Star Wars universe across more than four decades, on how the increasing number of stories set in it relate to each other and on how ever-changing currents of critical writing have generated a wealth of interpretations. Informationen zum Autor Miles Booy Klappentext Upon its initial release in 1977, many critics regarded Star Wars as a childish retort to the mature American cinema of the seventies. Though full of sound and fury, some felt that it signified nothing. Four decades later, the significations are multiple as interpretations of the film's strange imagery and metaphoric potential continue to pile up. Interpreting Star Wars analyses and contextualises the dominant trends in Star Wars interpretation from the earliest reviews, through Lucasfilm's attempts to use its position as copyright holder to promote a single meaning, to the 21st century where the internet has rendered such authorial control impossible and new entries to the canon present new twists on old hopes. Vorwort An analysis of the ways in which the themes and imagery of the Star Wars films, particularly the first, have been interpreted in the years since 1977. Zusammenfassung Upon its initial release in 1977, many critics regarded Star Wars as a childish retort to the mature American cinema of the seventies. Though full of sound and fury, some felt that it signified nothing. Four decades later, the significations are multiple as interpretations of the film’s strange imagery and metaphoric potential continue to pile up. Interpreting Star Wars analyses and contextualises the dominant trends in Star Wars interpretation from the earliest reviews, through Lucasfilm’s attempts to use its position as copyright holder to promote a single meaning, to the 21st century where the internet has rendered such authorial control impossible and new entries to the canon present new twists on old hopes. Inhaltsverzeichnis Introduction 1. Star Wars vs. Secularity 2. Leftist Political Critique 3. Late Seventies Promotion and Spin-off Materials 4. Myth Criticism 5. The Liberation Reading 6. Prequels and Sequels Conclusion Bibliography Index ...
