Ulteriori informazioni
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Sommario
1. Im Kwon-taek: Korean National Cinema and Buddhism 2. Im Kwon-taek's Use of Nativist Korean Culture as Allegories of Cinema:
Ch'unhyang,
Chihwaseon, and
Hanji 3. The Name of a Desire: Recollections of Socialist Realism in East Asian Art Cinema 4. Tradition and the Movies: The Asian American Avant-Garde in Los Angeles 5. The Sons and Daughters of Los: Culture and Community in Los Angeles 6. Towards a Geo-Cinematic Hermeneutics: Representations of Los Angeles in Non-Industrial Cinema -
Killer of Sheep and
Water and Power 7. Expanded Cinema in Los Angeles: The Single Wing Turquoise Bird 8. L.A.'s Hipster Cinema 9.
The Sky Socialist: Film as an Instrument of Thought, Cinema as an Augury of Redemption 10. The Mirror and the Vamp: Catoptrics of Self in Andy Warhol's
Lupe 11. Letter to Paul Arthur (Letter With Endnotes) 12. Agricultural Revelation: Land, Labor, and Voice in Three Films About Laxton
Info autore
David E. Jame
s taught in the School of Cinematic Arts at the University of Southern California for thirty years, focusing on avant-garde cinema, culture in Los Angeles, East-Asian cinema, film and music, and working-class culture. His books include
The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles;
Optic Antics: The Cinema of Ken Jacobs; and
Rock 'N' Film: Cinema's Dance With Popular Music, and his collection of essays (with Adam Hyman)
Alternative Projections: Experimental Film in Los Angeles, 1945-1980.
