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Informationen zum Autor Claudia L. Johnson is the Murray Professor of English at Princeton University. She specializes in Eighteenth-Century and Nineteenth-Century British literature, and gender studies. Renowned for her works on Jane Austen and Mary Wollstonecraft, Johnson's books include Jane Austen: Women, Politics, and the Novel; Equivocal Beings: Politics, Gender and Sentimentality in the 1790s; and Jane Austen's Cults and Cultures , which won the Christian Gauss Award. Clara Tuite is Professor of English at the University of Melbourne, a Co-Director of the Enlightenment, Romanticism and Contemporary Culture Research Unit, and a Fellow of the Australian Academy of the Humanities. Her books include Romantic Austen: Sexual Politics and the Literary Canon and Lord Byron and Scandalous Celebrity , which was awarded the Elma Dangerfield Prize by the International Association of Byron Societies. Klappentext A fascinating look into the myths that continue to shape our understanding and appreciation of Jane Austen.Was Jane Austen the best-selling novelist of her time? Are all her novels romances? Did they depict the traditional world of the aristocracy? Is Austen's writing easy to understand? Well into the 21st century, Jane Austen continues to be one of the most compelling novelists in all English literature. Many of her ideas about class, family, history, intimacy, manners, love, desire, and society, have inspired "myths" that are often contradictory -- she was a Tory who was also a liberal feminist, or, her novels are at once sharply satirical and unapologetically romantic. Myths, like Austen's works, are dynamic, changing over time and impacting how we read and interpret literature.30 Great Myths about Jane Austen examines the accepted beliefs -- both true and untrue --that have most influenced our readings of Austen. Rather than simply de-bunking, or validating, commonly-held views about Austen, authors Claudia L. Johnson and Clara Tuite explore how these myths can be used to engage with the life, work, and reception of Jane Austen. Applying the most up-to-date scholarship to better understand how myths shape our appreciation of Jane Austen, this fascinating volume:* Introduces readers to the history of Austen reception, both in academic scholarship and in the general public* Examines Jane Austen's life and letters, her historical contexts, her texts, and their afterlives* Discusses Austen's influence on the development of literary criticism as a discipline* Explores each of Austen's main novels, as well as relatively obscure texts such as Sanditon and The WatsonsOffering engaging narrative and original insights, 30 Great Myths about Jane Austen is a must-read for scholars, instructors, and students of English and Romantic literature, as well as general readers with interest in the life and works of Jane Austen. Inhaltsverzeichnis Abbreviations and Note on the Text vii Acknowledgements viii Introduction xi Myth 1 Jane Austen had no interest in fame 1 Myth 2 There is no sex in Jane Austen's novels 7 Myth 3 Jane Austen wrote on little bits of ivory 14 Myth 4 Jane Austen's juvenilia are scraps which she outgrew 19 Myth 5 Jane Austen's novels are naturalistic 27 Myth 6 Jane Austen was unconscious of her art 34 Myth 7 Northanger Abbey is a spoof on Gothic fiction 43 Myth 8 The Bath Jane Austen knew and loathed 49 Myth 9 Jane Austen's writing is easy to understand 56 Myth 10 Sense and Sensibility is a satire on sensibility 61 Myth 11 Jane Austen was the best-selling novelist of her time 66 Myth 12 Regency Austen 72 Myth 13 Only women read Jane Austen 80 Myth 14 As Pride and Prejudice shows, all Austen's novels are love stories 85 Myth 15 Jane Austen never mentions the war 93 Myth 16 Something happe...
