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Zusatztext Two retrospectives of Lawrence Carroll's abstract painting allow David Carrier to wend his way through Carroll’s whole ‘project’ philosophically. When analytical philosophers absorbed aesthetics into ‘philosophy of art,’ they pretty much stamped out delight; here however, one of their own breaks ranks, on behalf of an abstract painter who, Nietzsche would say, teaches him how to dance. Yes, Carrier discusses the nature of art per se; but he is also concerned with thinking about the ‘deskilled’ application of paint on a thing that takes up space but clings to the category of painting. Informationen zum Autor David Carrier has taught philosophy in Pittsburgh, Pennsylvania and art history in Cleveland, Ohio. A former Getty Scholar and a Clark Fellow, he has been Lecturer in the Council of the Humanities and Class of 1932 Fellow in Philosophy, Princeton University, USA. DAVID CARRIER is the Champney Family Professor at Case Western Reserve University/Cleveland Institute of Art. He has written numerous works including Principles of Art History Writing , The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s , and High Art: Charles Baudelaire and the Origins of Modernism . Vorwort An analysis of philosophical accounts of painting and essentialism, applying the theory of Greenberg, Fried and Danto to the contemporary artist Lawrence Carroll. Zusammenfassung Boldly developing the central traditions of American modernist abstraction, Lawrence Carroll’s paintings engage with a fundamental issue of aesthetic theory, the nature of the medium of painting, in highly original, frequently extraordinarily successful ways. Aesthetic Theory, Abstract Art, and Lawrence Carroll explains how he understands the medium of painting; shows what his art says about the identity of painting as an art; discusses the place of his paintings in the development of abstraction; and, finally, offers an interpretation of his art. The first monograph devoted to him, this philosophical commentary employs the resources of analytic aesthetics. Art historians trace the development of art, explaining how what came earlier yields to what comes later. Taking for granted that the artifacts they describe are artworks, art historians place them within the history of art. Philosophical art writers define art, explain why it has a history and identify its meaning. Pursuing that goal, Aesthetic Theory, Abstract Art, and Lawrence Carroll roams freely across art history, focused at some points on the story of old master painting and sometimes on the history of modernism, but looking also to contemporary art, in order to provide the fullest possible philosophical perspective on Carroll’s work. Inhaltsverzeichnis Acknowledgments1. What is a work of art?2. What is a painting?3. The Art World4. Lawrence Carroll Enters the Art World 5. Why Painting’s History Matters6. An Art History Made for and by Artists7. Interpreting Lawrence Carroll’s Artworks8. Why Lawrence Carroll’s Paintings MatterNotesLawrence Carroll: Selected ExhibitionsLawrence Carroll: Selected CollectionsBibliographyIndex...
