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The period from the 1870s to the 1920s was marked by an interplay between nationalisms and internationalisms, culminating in the First World War, on the one hand, and the creation of the League of Nations, on the other. The arts were central to this debate, contributing both to the creation of national traditions and to the emergence of ideas, objects and networks that forged connections between nations or that enabled internationalists to imagine a different world order altogether. The essays presented here explore the ways in which the arts operated internationally during this crucial period of nation-making, and how they helped to challenge national conceptions of citizenship, society, homeland and native tongue. The collection arises from the AHRC-funded research network Internationalism and Cultural Exchange, 1870-1920 (ICE; 2009-2014) and its enquiry into the histories of cultural internationalism and their historiographical implications.
This collection has been edited by members of the ICE network convened by Grace Brockington and Sarah Victoria Turner.
Sommario
CONTENTS: Grace Brockington/Sarah Victoria Turner: Introduction: Art and Culture Beyond the Nation - Daniel Laqua: Introduction: Cosmopolitanism and the Individual - Jessica Wardhaugh: The Fabulous Destiny of Saint-Patrice: Royalist Cosmopolitanism and Republican France - Sharon Hecker: Navigating International Networks for Modern Sculpture at the Fin de Siècle: The Case of Medardo Rosso - Dina Gusejnova: A Prussian Diplomat and Cosmopolitan: Count Harry Kessler's Cultural Politics during and after the First World War - Marina Dmitrieva: 'Distance Passes through Me': Herwarth Walden, Modernism and the Cosmopolitan Utopia - Charlotte Ashby: Introduction: Cultural Networks and Connections - Christopher Reed: Boston as Museum: Cosmopolitan Constructions of Japan - Vibeke Röstorp: Third Culture Artists: Scandinavians in Paris - Juliet Simpson: Art as Cosmopoetics: Ferdinand Hodler, Mallarmé and La Revue de Geneve - Rosie Ibbotson: Synoptic Outlooks: Cosmopolitan Vision and the Arts and Crafts Movement - Sarah Victoria Turner: Introduction: Real Places and Imagined Journeys - Hervé Inglebert and Sandra Kemp: Universal Histories, Universal Exhibitions and Universal Museums in Europe: Henry Cole and the Legacies of the South Kensington Museum - Marta Filipová: Regional Modernity and the Global Exhibition Network: Prague's Exhibitions of 1891 and 1895 - Wouter Van Acker: World Capital Cities in the Belle Époque: Claiming Centrality through Cosmopolitanism - Charlotte Ashby: European Design Journals as Transnational Spaces - Grace Brockington: Introduction: The Expanded Universal Language Movement - Leonard Bell: Translations: Maori Art Nationalized in Settler-Colonial New Zealand and Internationalized in European Art and Theory - Helena Capková: The Hawk Princess at the Hawk's Well: Neo-Noh and the Idea of a Universal Japan - Katja Krebs: 'So Utterly Foreign to the Spirit of Modern English Drama': Internationalism and Theatrical Relations in London in the Early Twentieth Century - Sophie Hatchwell: 'Acquiring a Foreign Accent': Painting as Cosmopolitan Language in Edwardian Art Writing
Info autore
Charlotte Ashby is an art and design historian who lectures at Birkbeck, University of London and the University of Oxford.
Grace Brockington is Senior Lecturer in the History of Art at the University of Bristol.
Daniel Laqua is Associate Professor of European History at Northumbria University.
Sarah Victoria Turner is Deputy Director for Research at the Paul Mellon Centre for Studies in British Art in London.
Relazione
«Imagined Cosmopolis is an ambitious and exciting volume that charts new interdisciplinary territory through the interrogation of international ideals and cosmopolitan experiences in the nineteenth and early twentieth century. It provides a welcome corrective to the national and ideological borders that often structure scholarship, and I know it will inspire future work in the field.» (Professor Morna O'Neill, Wake Forest University)
«The study of modern history has for so long focused on the nation as the key framework, but recent studies, of which this volume contains excellent examples, have de-nationalized history by globalizing separate national entities. This is a most welcome development, and it is to be hoped that this volume will be followed by many others in transnationalizing modern history.» (Professor Akira Iriye, Harvard University)
