Ulteriori informazioni
A look into the Beat movement and its art beyond the scope of the lives of Kerouac, Ginsberg, and Burroughs.
Sommario
Part I. Get Hip, My Soul: How It All Started (1944-1948): 1. The wild outré gang of Columbia campus: the beginnings of a movement; 2. Write for them about them personally: the Beats and avant-garde literary networks at midcentury; Part II. Underground to Literary Celebrity (1948-1957): 3. Hipsters in the zoo: how the Beats came up from the underground; 4. The rise of the Beat novel: factualism to spontaneity; 5. The rise of Beat poetry: raw experience meets raw language; Part III. The Beatnik Era and the Profusion of Beat Literature (1958-1962): 6. The establishment strikes back: Beat becomes Beatnik; 7. Little magazines and subterranean networks; 8. The opening of the field; 9. Revisions of the real; 10. Ignus: from the Beat Hotel to Pull My Daisy; Part IV. Beat Politics (1962-1969): 11. The women who said something; 12. Liberating language; 13. The Vietnam effect; Coda.
Info autore
Steven Belletto is Professor of English at Lafayette College, Pennsylvania. He is author of No Accident, Comrade: Chance and Design in Cold War American Narratives (2012), editor of The Cambridge Companion to the Beats (2017) and American Literature in Transition, 1950–1960 (2017). He is also co-editor of Neocolonial Fictions of the Global Cold War (with Joseph Keith, 2019) and American Literature and Culture in an Age of Cold War: A Critical Reassessment (with Daniel Grausam, 2012). He is currently editor for the journal Contemporary Literature.
Riassunto
By detailing one of the most popular and significant cultural movements of the post-World War II era, readers will encounter a rich literary history that focuses on text rather than biography. This reframes Beat scholarship around the merits of Beat literary production, rather than the lives of the artists.
