Ulteriori informazioni
Informationen zum Autor Robert Havard is Professor and Head of Spanish at the University of Wales, Aberystwyth, UK. His publications include, as translator and editor, García Lorca: Mariana Pineda (1987) as editor Jorge Guillén: Cántico, Critical Guides to Spanish Texts (1986); From Romanticism to Surrealism: Seven Spanish Poets (1988); García Lorca: Romancero gitano/Gypsy Ballads (1990); A Companion to Spanish Surrealism (2004). Klappentext A thoroughly edited text of one of 20th-century Spain's most famous volumes of poetry Vorwort A thoroughly edited text of one of 20th-century Spain's most famous volumes of poetry, including an introduction offers an in-depth commentary on Machado's themes and techniques Zusammenfassung Intended principally for sixth formers and undergraduate students reading Antonio Machado for the first time, this book provides a thoroughly edited text of one of 20th-century Spain's best-loved and most famous volumes of poetry. An extensive introduction offers an in-depth commentary on Machado's themes, techniques and metaphysical manner. In addition to examining the various influences on his work - Krausism, Bergsonism and the '98 Generation's concern for "el problema de Espana" - the introduction looks at Machado's life, especially the years of composition, 1907-17, and it traces the critical phases in his poetic development: the discovery of the Castilian landscape in Soria, his growing political consciousness, his personal tragedy as a bereaved husband and his existential meditaions in Baeza. Annotations in the form of endnotes provide additional factual information and clarify points of difficulty in the text. It provides a clear and sensitive account of the themes and techniques of Campos de Castilla . Inhaltsverzeichnis Introduction1. The Poet-Seer2. Early years and influences3. Soria, Castile and Leonor4. Baeza and Bergson5. Campos de Castilla as a volume6. This editionNotes to the IntroductionSelected BibliographyPrologue and PoeticaPrologue to Campos de Castilla (1917) 1Pm:itica (1932) 2Campos de Castilla (1907-1917)1 (XCVII) Retrato 2 (XCVIII) A orillas del Duero 3 (XCIX) Por tierras de Espafia 4 (C) El hospicio 5 (CI) El Dios ibero 6 (CII) Orillas del Duero 7 (CIII) Las encinas 8 (CIV) l,Eres m, Guadarrama, viejo amigo 9 (CV) En abril, las aguas mil 10 (CVI) Un loco 11 (CVII) Fantasia iconogn:'tfica 12 (CVIII) Un criminal 13 (CIX) Amanecer de otof'l.o 14 (CX) En tren 15 (CXI) Noche de verano 16 (CXII) Pascua de Resurrecci6n 17 (CXIII) Campos de Soria 18 (CXIV) La tierra de Alvargonzalez 19 (CXV) A un olmo seco 20 (CXVI) Recuerdos 21 ( CXVII) AI maestro 'Azorin' por su libro Castilla 22 (CXVIII) Caminos 23 (CXIX) Sef'l.or, ya me arrancaste lo que yo mas queria 24 (CXX) Dice Ia esperanza: un dia25 (C:XXI) Alia, en las tierras altas 26 (CXXII) Sofie que tU me llevabas 27 (C:XXIII) Una noche de verano 28 (CXXIV) AI borrarse Ia nieve, se alejaron 29 (CXXV) En estos campos de Ia tierra mia. 30 (CXXVI) A Jose Maria Palacio 31 (C:XXVII) Otro viaje 32 (C:XXVIII) Poema de un dia 33 (C:XXIX) Noviembre 1913 34 (C:XXX) La saeta 35 (C:XXXI) Del pasado efimero 36 (CX:XXII) Los olivos 3 7 (C:XXXIII) Llanto de las virtudes y cop las porIa muerte de Don Guido 38 (CXXXIV) La mujer manchega 39 (CXXXV) El mafiana efimero 40 (C:XXXVI) Proverbios y cantares 41 (C:XXXVII) Parabolas 42 (CXXXVIII) Mi bufon Elogios43 (CX:XXIX) A don Francisco Giner de los Rios 44 (CXL) Aljoven meditador Jose Ortega y Gasset 45 (CXLI) A Xavier Valcarce 46 (CXLII) Mariposa de Ia sierra 47 (CXLIII) Desde mi rincon 48 (CXLIV) Una Espafia joven 49 (CXLV) Espafia, en paz 50 (CXLVI) Esta leyenda en sabio romance campesino 51 (CXLVII) AI maestro Ruben Dario52 (CXLVIII) A Ia muerte de Ruben Dario 53 (CXLIX) A Narciso Alonso Cortes, poeta de Castilla 54 (CL) Mis poetas 55 (CLI...
