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There are very few accounts of the afterlife across the period from Homer to Dante. Most traditional studies approach the classical afterlife from the point of view of its "evolution" towards the Christian afterlife. This book tries to do something different: to explore afterlife narratives in spatial terms and to situate this tradition within the ambit of a fundamental need in human psychology for the synthesis of soul (or "self") and universe. Drawing on the works of Homer, Plato, Cicero, Virgil, and Dante, among others, as well as on modern works on psychology, cartography, and music theory, Mapping the Afterlife argues that the topography of the afterlife in the Greek and Roman tradition, and in Dante, reflects the state of "scientific" knowledge at the time of the various contexts in which we find it. The book posits that there is a dominant spatial idiom in afterlife landscapes, a "journey-vision paradigm"--the horizontal journey of the soul across the afterlife landscape, and a synoptic vision of the universe. Many scholars have argued that the vision of the universe is out of place in the underworld landscape. However, looking across the entire tradition, we find that afterlife landscapes, almost without exception, contain these two kinds of space in one form or another. This double vision of space brings the underworld, as the landscape of the soul, into contact with the "scientific" universe; and brings humanity into line with the cosmos.
Sommario
- Introduction
- PART 1: DUALITIES
- Chapter 1: The Splitting of Herakles
- Chapter 2: The Roadmap
- Chapter 3: Proserpina's Tapestry, Strabo's Cloak
- PART 2: COSMOS
- Chapter 4: The Cloak of Stars
- Chapter 5: Soul Music
- Intermezzo
- PART 3: PLATO'S SOULSCAPES
- Chapter 6: Interplanetary Harmonies
- Chapter 7: A Sprinkling of Science
- Chapter 8: The Lyre and the Cloak
- PART 4: TO THE SKY
- Chapter 9: The Dark Side of the Moon
- Chapter 10: Dante's Poem of Fire
- Conclusion
- Bibliography
- Index
- Endpiece
Info autore
Emma Gee is an independent scholar and tutor in the Classics. Her previous books include Aratus and the Astronomical Tradition and Ovid, Aratus, and Augustus.
Riassunto
This book studies the afterlife from Homer to Dante. It posits that there is a dominant spatial idiom in afterlife landscapes, the 'Journey-Vision paradigm:' i.e. the journey through the underworld, and the Vision of the universe. This spatial duality functions to harmonise the underworld with the 'scientific' universe.
Testo aggiuntivo
Gee's exploration of 'the shadowland where science and soul meet' is revelatory, sweeping aside modern myths and explaining ancient ones with erudition and imagination. The precision of her new readings of some of themost studied passages of classical and medieval literature is matched by the extraordinary lucidity of her prose. This is a landmark study.