Ulteriori informazioni
Zusatztext This is an excellent book and makes a very substantial contribution to our understanding of Rousseau's work...the book must emerge as a primary point of reference for scholars of 19th-century French painting, changes in the art market, and Rousseau's role within them. Informationen zum Autor Simon Kelly is Curator of Modern and Contemporary Art at the Saint Louis Art Museum, USA, and author of Théodore Rousseau and the Rise of the Modern Art Market (Bloomsbury, 2021) Klappentext The nineteenth century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist. Simon Kelly argues for the pioneering role of Rousseau, his patrons, and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book offers fresh insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's oeuvre, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place. Vorwort An examination of the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau, and the rise of the modern art market in nineteenth-century France. Zusammenfassung The nineteenth century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, ThéodoreRousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers, and critics who surrounded the artist.Simon Kelly argues for the pioneering role of Rousseau, his patrons, and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book offers fresh insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formalchoices within Rousseau’s oeuvre, rediscovering the original radical charge that once surrounded the artist’s work and led to extensive and peculiarly modern tensions with the market place. Inhaltsverzeichnis List of Plates List of Figures Series Editor's Introduction Acknowledgments List of Abbreviations Introduction 1. "The Outlaw": Rousseau at the Salon 2. Alternative Spaces: Artists' Societies to the Cercle de L'Union Artistique 3. "A Small Number of the Privileged": The Patrons 4. The Art Dealers: Adolphe Beugniet to Paul Durand-Ruel 5. "This Dangerous Game": The Auction Sale 6. The Reproduction Industry: From Etching to Photography Rousseau's Legacy Appendix 1 Appendix 2 Appendix 3 Select Bibliography Index ...
Info autore
Simon Kelly is Curator and Head of Department of Modern and Contemporary Art, The Saint Louis Art Museum, USA.
