Ulteriori informazioni
Investigating what is Islamic about Islamic art through analysis of the Qur'an, Hadith, Sufi texts, ancient philosophy, and a rich corpus of transcultural poetry, Shaw challenges the historicism, secularism, and regionalism of traditional art history with new means of perceiving Islamic painting, music, and geometric pattern.
Sommario
List of figures; Preface; Note on transcultural communication; Introduction: from Islamic art to perceptual culture; 1. The Islamic image; 2. Seeing with the ear; 3. The insufficient image; 4. Seeing with the heart; 5. Seeing through the mirror; 6. Deceiving deception; 7. The transcendent image; 8. The transgressive image; 9. Mimetic geometries; 10. Perspectives on perspective; Conclusion: out of perspective; References; Index.
Info autore
Wendy M. K. Shaw is Professor of the Art History of Islamic Cultures at the Freie Universität Berlin. Her work focuses on the impact of coloniality on museums, archaeology, preservation, and historical, modern, and contemporary art, with emphasis on the Ottoman Empire, the Republic of Turkey, regions of Islamic hegemony, Sufism, and transregional art historiography. She is the author of Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire (2003), and Ottoman Painting: Reflections of Western Art from the Ottoman Empire to the Turkish Republic (2011).
Riassunto
Investigating what is Islamic about Islamic art through analysis of the Qur'an, Hadith, Sufi texts, ancient philosophy, and a rich corpus of transcultural poetry, Shaw challenges the historicism, secularism, and regionalism of traditional art history with new means of perceiving Islamic painting, music, and geometric pattern.
