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This transnational exploration of the intersection of feminism, history, and memory shows how the recollection of violent histories can generate possibilities for progressive futures. It emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists.
Sommario
Acknowledgments
Introduction: Practicing Feminism, Practicing Memory, by Marianne Hirsch
Part I. Disrupting Sites
1. Stadium Memories: The Estadio Nacional de Chile and the Reshaping of Space through Women’s Memory, by Katherine Hite and Marita Sturken
2. The Metamorphosis of the Museal: From Exhibitionary to Experiential Complex and Beyond, by Andreas Huyssen
3. Kara Walker: The Memory of Sugar, by Carol Becker
4. Curious Steps: Mobilizing Memory Through Collective Walking and Storytelling in Istanbul, by Bürge Abiral, Ayşe Gül Altınay, Dilara Çalışkan,and Armanc Yıldız
5. Pilgrimage As/Or Resistance, by Nancy Kricorian
Part II. Performing Protest
6. Traumatic Memes, by Diana Taylor
7. Memory as Encounter: The Saturday Mothers in Turkey, by Meltem Ahıska
8. Aquí: Performing Mapping Practices in Santiago de Chile, by María José Contreras Lorenzini
9. #NiUnaMenos (#NotOneWomanLess): Hashtag Performativity, Memory, and Direct Action against Gender Violence in Argentina, by Marcela A. Fuentes
10. Mobilizing Academic Labor: The Graduate Workers of Columbia Unionization Campaign, by Andrea Crow and Alyssa Greene
11. “Nobody Is Going To Let You Attend Your Own Funeral”: A Funeral for a Trans Woman and Naming the Unnamed, by Dilara Çalışkan
12. Black Feminist Visions and the Politics of Healing in the Movement for Black Lives, by Deva Woodly
Part III. Interfering Images
13. Instilling Interference: Lorie Novak’s Frequencies in Traumatic Time, by Laura Wexler
14. Siting Absence: Feminist Photography, State Violence, and the Limits of Representation. by Nicole Gervasio
15. Carrie Mae Weems: Rehistoricizing Visual Memory, by Deborah Willis
16. “When Everything Has Been Said Before . . .”: Art, Dispossession, and the Economies of Forgetting in Turkey, by Banu Karaca
17. Treasures, by Silvina Der-Meguerditchian and Marianne Hirsch
18. Blank: An Attempt at a Conversation, by Susan Meiselas and Işın Önol
Part IV. Staging Resistance
19. Interventionist Theater: Challenging Regimes of Slow Violence, by Jean E. Howard
20. Making Memory: Patricia Ariza’s and Teresa Ralli’s Antígonas, by Leticia Robles-Moreno
21. Theater of the Mothers: Three Political Plays by Marie NDiaye, by Noémie Ndiaye
22. Who Knows Where or When?: AIDS and Theatrical Memory in Queer Time, by Alisa Solomon
Part V. Rewriting Lives
23. El Edificio de los Chilenos (The Building of the Chileans): Heroic Memory Revisited by a Post-Revolutionary Daughter, by Milena Grass Kleiner
24. Remembering “Possibility”: Postmemory and Apocalyptic Hope in Recent Turkish Coup Narratives, by Sibel Irzık
25. Müfide Ferit Tek’s Aydemir Meets Neşide K. Demir, or How Women in Mourning Impede Gendered Memories of a Genocidal Past, by Hülya Adak
26. Hilando en la Memoria: Weaving Songs of Resistance in Contemporary Mapuche Political Cultural Activism, by María Soledad Falabella Luco
List of Contributors
Index
Info autore
Ayşe Gül Altınay (P.h.D, Duke University, Cultural Anthropology) is a Professor of Anthropology in Sabanci University in Turkey. She is the author of The Myth of the Military-Nation: Militarism, Gender and Education (Palgrave Macmillan, 2004).María José Contreras is a Professor of Theater and performance artist at the Catholic University in Chile. She is a member of the Columbia Center for the Study of Social Difference.Jean E. Howard is George Delacorte Professor in the Humanities at Columbia University, where she teaches in the Department of English and Comparative Literature. She has written The Stage and Struggle in Early Modern England (Routledge, 1993); Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997); and Theater of a City: The Places of London Comedy 1598-1642 (University of Pennsylvania Press, 2007).Banu Karaca (P.h.D, Graduate Center-CUNY) is a Visiting Scholar at Sabanci University. She has written articles in International Journal of Cultural Policy and New Perspectives on Turkey. She is the co-founder of “Black Ribbon”, a research platform that documents and analyzes censorship in the arts throughout Turkey.Alisa Solomon is a professor of Journalism at Columbia University. She has written Wonder of Wonders: A Cultural History of Fiddler on the Roof (Metropolitan Books, 2013), Re-Dressing the Canon: Essays on Theater and Gender (Routledge, 1997) and other works.
Riassunto
Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations?
Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists from Chile, Turkey, and the United States. The essays in this book assemble and discuss a deep archive of works that activate memory across a variety of protest cultures, ranging from seemingly minor acts of defiance to broader resistance movements. The memory practices it highlights constitute acts of repair that demand justice but do not aim at restitution. They invite the creation of alternative histories that can reconfigure painful pasts and presents. Giving voice to silenced memories and reclaiming collective memories that have been misrepresented in official narratives, Women Mobilizing Memory offers an alternative to more monumental commemorative practices. It models a new direction for memory studies and testifies to a continuing hope for an alternative future.
Testo aggiuntivo
Reclaiming the word “mobilizing” from its militarized context, the authors of this book set an example of how transnational feminist scholarship can produce much-needed understanding of how memories of painful pasts can be interpreted beyond trauma in an empowering way, offering a livable vision of the future for all.
