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Can the criticism of literature and culture ever be completely professionalized? Does criticism retain an amateur impulse even after it evolves into a highly specialized discipline enshrined in the university?
The Critic as Amateur brings leading and emerging scholars together to explore the role of amateurism in literary studies. While untrained reading has always been central to arenas beyond the academy - book clubs, libraries, used bookstores - its role in the making of professional criticism is often disavowed or dismissed. This volume, the first on the critic as amateur, restores the links between expertise, autodidactic learning and hobbyist pleasure by weaving literary criticism in and out of the university.
Our contributors take criticism to the airwaves, through the culture of early cinema, the small press, the undergraduate classroom and extracurricular writing groups. Canonical critics are considered alongside feminist publishers and queer intellectuals.
The Critic as Amateur is a vital book for readers invested in the disciplinary history of literary studies and the public role of the humanities. It is also a crucial resource for anyone interested in how literary criticism becomes a richly diverse yet shared discourse in the 20th and 21st centuries.
Sommario
Acknowledgments
Introduction: “Criticism for the Whole Person”
Aarthi Vadde (Duke University, USA) with Saikat Majumdar (Ashoka University, India)
Part I: THE AMATEUR IMPULSE
1. In Praise of Amateurism
Derek Attridge (University of York, UK)
2. In the Shadow of the Archive
Tom Lutz (Founder and Editor of Los Angeles Review of Books)
3. "It’s All Very Suggestive, but It Isn’t Scholarship"
Ragini Tharoor Srinivasan (University of Arizona, USA)
4. Beyond Professionalism: The Pasts and Futures of Creative Criticism
Peter D. McDonald (Oxford University, UK)
Part II: THE AMATEUR IN THE AGE OF PROFESSIONALIZATION
5. Leavis, Richards, and the Duplicators
Christopher Hilliard (University of Sydney, Australia)
6. The Critic as Rasik: Pramatha Chaudhuri, Tagore, and the New Language of Literary Writing
Rosinka Chaudhuri (Centre for Studies in Social Sciences, Calcutta, India)
7. The Sophisticated Amateur: Vernon Lee versus the Vital Liars
Mimi Winick (Virginia Commonwealth University, USA)
Part III: THE CRITIC AS AMATEUR IN OLD AND NEW MEDIA
8. Dorothy Richardson and Close Up: Amateur and Professional Exchanges in Film Culture
Zlatina Nikolova & Chris Townsend (Royal Holloway, University of London, UK)
9. New Judgments: Literary Criticism on Air
Emily C. Bloom (Columbia University, USA)
10. The Small Press and the Feminist Critic
Melanie Micir (Washington University in St. Louis, USA)
EPILOGUE: New, Interesting, and Original: The Undergraduate as Amateur
Kara Wittman (Pomona College, USA)
List of Contributors
Bibliography
Index
Info autore
Saikat Majumdar is Professor of English & Creative Writing at Ashoka University, India. He is the author of a monograph, Prose of the World (2013) and five novels, including The Firebird/Play House (2015/2017), and The Remains of the Body (2024); and the co-editor of The Critic as Amateur (Bloomsbury, 2019).Aarthi Vadde is Associate Professor of English at Duke University, USA. Her research focuses on the relationship of literature and media to globalization. She is the author of Chimeras of Form: Modernist Internationalism Beyond Europe, 1914-2016 (2016), winner of the American Comparative Literature Association’s 2018 Harry Levin Prize. She has also published numerous articles on global modernism, contemporary Anglophone literature, digital literary culture, and postcolonialism in such venues as Modernism/modernity, New Literary History, NOVEL, Public Books, Comparative Literature, and Modern Fiction Studies.
Riassunto
Can the criticism of literature and culture ever be completely professionalized? Does criticism retain an amateur impulse even after it evolves into a highly specialized discipline enshrined in the university?
The Critic as Amateur brings leading and emerging scholars together to explore the role of amateurism in literary studies. While untrained reading has always been central to arenas beyond the academy – book clubs, libraries, used bookstores – its role in the making of professional criticism is often disavowed or dismissed. This volume, the first on the critic as amateur, restores the links between expertise, autodidactic learning and hobbyist pleasure by weaving literary criticism in and out of the university.
Our contributors take criticism to the airwaves, through the culture of early cinema, the small press, the undergraduate classroom and extracurricular writing groups. Canonical critics are considered alongside feminist publishers and queer intellectuals. The Critic as Amateur is a vital book for readers invested in the disciplinary history of literary studies and the public role of the humanities. It is also a crucial resource for anyone interested in how literary criticism becomes a richly diverse yet shared discourse in the 20th and 21st centuries.
Prefazione
Literary scholars and critics reconsider and champion the place of the amateur in literary criticism.
Testo aggiuntivo
In an age marked simultaneously by sterile professionalism, revolts against experts, and information overload, The Critic as Amateur bracingly highlights both new and neglected ways of understanding literature, the self, and the world. Anyone concerned about the future of reading and writing should read it.”
