Border Cinema - Reimagining Identity Through Aesthetics

Demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned to engender shifts in identities while proposing alternative conceptions of these identities to those promulgated by the current political rhetoric and ideologies that represent a backlash to globalization.

Sommario

Table of Contents

 

1. Introduction: "Moving Images: Cinematic Contestations of Global Borders in the Digital Age," by Monica Hanna and Rebecca A. Sheehan
2. "Composite Aesthetics as Cultural Cartographies of Europe-in-Transition," Marina Hassapopoulou
3. "Undocumation: Documentary Animation's Unsettled Borders," Rebecca A. Sheehan
4. "The Art of Witness in Lourdes Portillo's Señorita Extraviada (2001)," Rosa-Linda Fregoso
5. "The Cinematic Borderlands of Alejandro González Iñárritu's Babel," Monica Hanna
6. "Challenging European Borders: Goran Paskaljevic's Honeymoons," Anita Pinzi
7. "Remapping the Borderlands in ¿Quién diablos es Juliette?" Elena Lahr-Vivaz
8. "Crossing through el Hueco: The Visual Politics of Smuggling in Colombian Migration Films," Jennifer Harford Vargas
9. "Toward a Transfrontera-Latinx Aesthetics: An Interview with Filmmaker and Artist Alex Rivera," Frederick Luis Aldama
10. "No-man's Land: Shifting Borders and Alternating Identities in Contemporary Israeli Cinema," Anat Zanger and Nurith Gertz
11. "Te Borders We Cross in Search of a Better World: On Border Crossing in Three of Amos Gitai's Feature Films," Yael Munk
12. "Filipinos at the Border: Migrant Workers in Transnational Philippine Cinema," José B. Capino

Info autore

MONICA HANNA is an associate professor of Chicana and Chicano studies at California State University, Fullerton. She is the coeditor of Junot Díaz and the Decolonial Imagination.
 
REBECCA A. SHEEHAN is an associate professor of cinema and television arts at California State University, Fullerton.  She is the author of The Ethics of the Inbetween: The American Avant-Garde and Film-Philosophy.

Riassunto

Demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned to engender shifts in identities while proposing alternative conceptions of these identities to those promulgated by the current political rhetoric and ideologies that represent a backlash to globalization.

Dettagli sul prodotto

Autori	Monica Sheehan Hanna
Con la collaborazione di	Monica Hanna (Editore), Rebecca A. Sheehan (Editore)
Editore	Rutgers University Press
Lingue	Inglese
Raccomandazione d'eta'	18 anni
Formato	Copertina rigida
Pubblicazione	31.03.2019
EAN	9781978803169
ISBN	978-1-978803-16-9
Pagine	260
Serie	Global Media and Race; Global Media and Race
Categorie	Scienze naturali, medicina, informatica, tecnica > Geoscienze > Geografia; Scienze umane, arte, musica > Arte > Teatro, balletto

Dettagli sul prodotto

• Autori: Monica Sheehan Hanna
• Con la collaborazione di: Monica Hanna (Editore), Rebecca A. Sheehan (Editore)
• Editore: Rutgers University Press
• Lingue: Inglese
• Raccomandazione d'eta': 18 anni
• Formato: Copertina rigida
• Pubblicazione: 31.03.2019
• EAN: 9781978803169
• ISBN: 978-1-978803-16-9
• Pagine: 260
• Serie: Global Media and Race; Global Media and Race
• Categorie: Scienze naturali, medicina, informatica, tecnica > Geoscienze > Geografia; Scienze umane, arte, musica > Arte > Teatro, balletto