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Excerpt from Paris, Vol. 2 of 2
Do not confound with any of these devo~ tional Madonnas, with or without select groups of saints, various other classes of picture which somewhat resemble them. Each of these has in early art its own proper convention and treat ment: it was a recognised species. A Holy Family, for example, consists, as a rule, of a Madonna, the infant Christ, St. Joseph, St. Elizabeth, and the child Baptist. Like the other subjects, it is sometimes complicated by the addition of selected saints as spectators or assessors. A Coronation of the Virgin, again, is an entirely celestial scene, taking place in the calm of the heavenly regions. The Madonna is usually crowned by her Son, but sometimes by angels or by the Eternal Father. (several interesting examples of this, for comparison, occur in Room VI., ground ¿oor, at Cluny.) Nativities, of course, belong rather to the group of pictorial histories, such as the Life of Christ, or the Seven Joys of Mary. The sculptures in the ambulatory at notre-dame give one a good idea of such continuous histories.
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