Fr. 110.00

From Analogue to Digital Radio - Competition and Cooperation in the UK Radio Industry

Inglese · Copertina rigida

Spedizione di solito entro 6 a 7 settimane

Descrizione

Ulteriori informazioni

This book examines the history of UK radio from its analogue beginnings to its digital future by highlighting the roles played by the BBC and commercial radio in ensuring the medium's long-term success. Beginning as a mere technological innovation, radio developed into a broadcasting model which has sustained for almost one hundred years. The UK model was defined by a public service broadcaster responsible for maintaining standards of broadcasting, as well as commercial operators-acting illegally and then legally-who have sought to exploit radio's economic potential. This book aims to show how both these entities have contributed to the success of radio in the UK, whether acting competitively or by cooperating in order to ensure radio's survival into the next century. This study will appeal to students of media or anyone with a general interest in the history of radio.

Sommario

1. Introduction.- 2. From New Technology to New Industry: The Emergence of Broadcasting in the UK.- 3. Wartime and Post-War Broadcasting: BBC Hegemony and Commercial Sector Hiatus.- 4. Commercial Onslaught: Commercial Television, Radio Luxembourg and the Pirates.- 5. A Level Playing Field: The BBC and Independent Radio.- 6. Competition on All Fronts: The BBC and Commercial Radio.- 7. Going Digital: New Technology, New Relationship.- 8. Conclusion.

Info autore

JP Devlin
is a producer and broadcaster on BBC Radio 4 and is a member of the Centre for Media History at Bournemouth University, UK. 


Riassunto

This book examines the history of UK radio from its analogue beginnings to its digital future by highlighting the roles played by the BBC and commercial radio in ensuring the medium’s long-term success. Beginning as a mere technological innovation, radio developed into a broadcasting model which has sustained for almost one hundred years. The UK model was defined by a public service broadcaster responsible for maintaining standards of broadcasting, as well as commercial operators—acting illegally and then legally—who have sought to exploit radio’s economic potential. This book aims to show how both these entities have contributed to the success of radio in the UK, whether acting competitively or by cooperating in order to ensure radio’s survival into the next century. This study will appeal to students of media or anyone with a general interest in the history of radio.

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