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Informationen zum Autor Kimberly Poppiti, PhD, MFA, has been studying and writing about horses and theatre for years. She has published numerous related articles and is a two-time winner of the USITT's Herbert D. Greggs Award (2017 and 2013) for her writing about theatre design and technology. For over 20 years, she was a full-time professor at Dowling College, where she chaired the Department of Communication and Performing Arts. She still works as a professor, and as a writer, living on Long Island with her family. Zusammenfassung A History of Equestrian Drama in the United States documents the history of hippodrama in the United States, and clarifies the multi-faceted significance of the form and of the related stage machinery developed to produce hippodramas. Inhaltsverzeichnis List of Figures Preface Acknowledgements Introduction 1_ Early Equestrian Entertainments in England 2_ Early Equestrian Entertainments in Colonial America (1771–1812) 3_ Early Productions of Equestrian Drama in England and the United States 4_ The Plays: Melodramatic Equestrian Drama 5_ The Plays: Military Equestrian Drama 6_ The Plays: Frontier Equestrian Drama 7_ The Plays: Stage Machinery in Racing and Related Equestrian Drama 8_ Epilogue and Conclusions Bibliography Index
