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Friedrich Gorenstein's Redemption is a stark and powerful portrait of humanity caught up in Stalin's police state in the aftermath of World War II. A major work bearing witness to the Holocaust in the Soviet Union, Redemption is an important reckoning with anti-Semitism and Stalinist repression from a significant Soviet Jewish voice.
Sommario
Introduction by Emil Draitser
Redemption
Info autore
Friedrich Gorenstein (1932–2002), born in Kiev, was a Soviet Jewish writer and screenwriter who collaborated with Andrei Tarkovsky on Solaris (1972), among other works. His father was arrested during Stalin’s purges and later shot. Unable to publish in the Soviet Union, Gorenstein emigrated to Berlin, where he lived until his death. An award-winning film adaptation of Redemption was released in 2012.
Andrew Bromfield is an acclaimed translator of contemporary Russian writers such as Victor Pelevin and Boris Akunin. He has also translated Leo Tolstoy’s War and Peace.
Riassunto
It is New Year’s Eve 1945 in a small Soviet town not long liberated from German occupation. Sashenka, a headstrong and self-centered teenage girl, resents her mother for taking a lover after her father’s death in the war, and denounces her to the authorities for the petty theft that keeps them from going hungry. When she meets a Jewish lieutenant who has returned to bury his family, betrayed and murdered by their neighbors during the occupation, both must come to terms with the trauma that surrounds them as their relationship deepens.
Redemption is a stark and powerful portrait of humanity caught up in Stalin’s police state in the aftermath of the war and the Holocaust. In this short novel, written in 1967 but unpublished for many years, Friedrich Gorenstein effortlessly combines the concrete details of daily life in this devastated society with witness testimonies to the mass murder of Jews. He gives a realistic account of postwar Soviet suffering through nuanced psychological portraits of people confronted with harsh choices and a coming-of-age story underscored by the deep involvement of sexuality and violence. Interspersed are flights of philosophical consideration of the relationship between Christians and Jews, love and suffering, justice and forgiveness. A major addition to the canon of literature bearing witness to the Holocaust in the Soviet Union, Redemption is an important reckoning with anti-Semitism and Stalinist repression from a significant Soviet Jewish voice.
Testo aggiuntivo
Friedrich Gorenstein (1932-2002) is a major figure in the history of 20th-century Russian literature—and a most curious one. On the one hand, his novels blend fiction with religion, philosophy, and politics in a way that is quintessentially Russian, reminiscent of writers from Dostoyevsky and Tolstoy to Chekhov and, in the 20th century, Andrei Platonov. On the other hand, throughout his voluminous body of work, he defiantly tackles those selfsame issues as a Jewish writer, a Jewish thinker, and an uncompromising Jewish voice. . . . The power of Gorenstein’s writing lies in the fact that his weighty, nuanced, and idiosyncratic political and religious imagination is channeled through a spellbinding lyrical style.
