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The first extensive analysis of the translation, publication and critical reception of Alexander von Humboldt's writings in nineteenth-century Britain
Alexander von Humboldt was one of the most important scientists of the nineteenth century. Captivating his readers with his vibrant, lyrical prose, he transformed understandings of the earth and space by rethinking nature as the interconnection of global forces. This book argues that style was key to the success of these translations and shows how Humboldt's British translators, now largely forgotten figures, were pivotal in moulding his prose and his public persona as they reconfigured his works for readers in Britain and beyond. Drawing on extensive archival material in neglected publishers' archives, it sheds new light on how authors, their translators and their publishers collaborate and prompts a review of the role of translation in mediating scientific knowledge.
Alison E. Martin is Professor of British Studies at the Johannes Gutenberg-Universität Mainz (Germersheim).
Sommario
List of Abbreviations; List of Illustrations; Acknowledgements; Introduction; 1. Styling Science; 2. Dispute and Dissociation: John Black's Political Essay on the Kingdom of New Spain (1811); 3. 'A Colossal Literary and Scientific Task': Helen Maria Williams and the Personal Narrative of Travels to the Equinoctial Regions of the New Continent (1814-29); 4. 'A Plain and Unassuming Style': Thomasina Ross and Humboldt's Travels (1852-3); 5. The Poetry of Geography: The Ansichten der Natur in English Translation; 6. Cosmos: The Universe Translated; Conclusions; Bibliography; Index.
Info autore
Alison E. Martin is Professor of British Studies at the Johannes Gutenberg-Universität Mainz (Germersheim). She is the author of
Moving Scenes: The Aesthetics of German Travel Writing on England, 1783-1830 in the Legenda monograph series
Studies in Comparative Literature Vol 13.
Riassunto
This book shows how Alexander von Humboldt's British translators, now largely forgotten figures, were pivotal in moulding his prose and his public persona as they reconfigured his works for readers in Britain and beyond.
