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Excerpt from Plays, Pleasant and Unpleasant, Vol. 2: Containing the Four Pleasant Plays
Readers of the discourse with which the preceding volume commences will remember that I turned my hand to play writing when a great deal of talk about the New Drama, followed by the actual establishment of a New Theatre (the Independent), threatened to end in the humiliating discovery that the New Drama, in England at least, was a figment of the revolutionary imagination. This was not to be endured. I had rashly taken up the case; and rather than let it collapse, I manufactured the evidence.
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