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Excerpt from The Beginnings of the English Romantic Movement: A Study in Eighteenth Century Literature
Taking these three elements, Subjectivity, Picturesqueness, and Reaction, it is easy to see why the Romantic movement in England, in Germany, and in France, went for its inspiration back to the Middle Ages. Romanticism is certainly wider in connotation than Mediaevalism; and in the discussion of Eng lish Romanticism attempted in this book, the definitions of Heine and Madame de Staél would have to be supplemented and amplified to be adequate. But in the Middle Age lay just the material for which the Romantic Spirit yearned. Its religious, military and social life and all forms of mediaeval art can hardly be better characterized than by the word Picturesque; and souls weary of form and finish, of dead perfection, of faultily faultless monotony, naturally sought the opposite of all this in the literature and thought of the Middle Ages. And as the Classical Augustans had neglected this period above all others, and treated it with contempt, the Reactionists began with an attempt to revivify and brighten this forgotten Mediaeval life.
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