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The Cartographic Revolution in the Renaissance made maps newly precise, newly affordable, and newly ubiquitous. In sixteenth-century Britain, cartographic materials went from rarity to household décor within a single lifetime, and they delighted, inspired, and fascinated people across the socioeconomic spectrum. At the same time, they also unsettled, upset, disturbed, and sometimes angered their early modern readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph dedicated to recovering the shadow history of the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries.
A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain (in ways not dissimilar from the anxieties provoked by global positioning-enabled digital mapping in the twenty-first century). At the same time, writers saw in the resistance to cartographic logics and strategies the opportunity to rethink the way literature represents space-and everything else. This volume explores three major poems of the period-Edmund Spenser's The Faerie Queene (1590, 1596), Michael Drayton's Poly-Olbion (1612, 1622), and John Milton's Paradise Lost (1667, 1674)-in terms of their vexed and vexing relationships with cartographic materials, and shows how the productive protest staged by these texts redefined concepts of allegory, description, personification, bibliographic materiality, narrative, temporality, analogy, and other elemental components of literary representations.
Sommario
- Introduction: Mapping Anxiety in Early Modern English Literature
- 1: The Dream of an Unmappable Nation: Allegory, Cartography, and Spenser's Faerie Queene
- 2: Time River Body: Personification and Inappropriate Detail in Drayton's Poly-Olbion
- 3: Milton's Paradise Lost and the Atlas of Violence
- Conclusion: Wonders in the Deep
Info autore
Chris Barrett is Assistant Professor of English at Louisiana State University, where she joined the faculty in 2012 after completing her doctoral degree in English at Harvard University. Her research and teaching interests include early modern English literature, especially Spenser and Milton; lyric and epic poetry; critical animal studies and ecocriticism; and geocritical approaches to literature. She is the author of articles and essays on Shakespeare, Spenser, and Milton, and her research has been supported by the Council on Research, the Newberry Library, the Folger Library, and Dumbarton Oaks Museum & Collection.
Riassunto
This fascinating study explores how Renaissance-era maps fascinated people with their beauty and precision yet they also unnerved readers and writers. The volume shows how late sixteenth- and seventeenth-century poets channelled the anxieties provoked by maps and mapping, creating a new way of thinking about how literature represents space.
Testo aggiuntivo
...this is a work of considerable intellectual commitment and authority, deeply immersed in the complex literary texts on which Barrett focuses and founded upon exceptional skills of textual analysis.
Relazione
The last thirty years have witnessed an explosion of interest in Renaissance maps, cartography, and representations of space, fueled in part by a revolution in mapping technology that has suddenly allowed our phones to guide us to our destinations or to zoom in on an image of our house taken from an orbiting satellite. Chris Barrett's erudite and insightful book engages this material while considering the peculiar and sometimes fraught ways that English Protestant poets reacted to their own era's cartographic turn. Blaine Greteman, Milton Quarterly
