Ulteriori informazioni
Zusatztext A book of very high quality, which offers a large audience a highly intellectual introduction. This study indeed pays homage to the many facets of a body of work which is not only well constructed, but which, as Torrance puts it, "has the power to present a very wide range of questions on the human condition". Informationen zum Autor Isabelle Torrance is Associate Professor of Classics at the Aarhus Institute of Advanced Studies! Aarhus University! Denmark. She is the author of Aeschylus: Seven Against Thebes (2007) and of Metapoetry in Euripides (2013)! co-author - with A Sommerstein - of Oaths and Swearing in Ancient Greece (2014) and editor of Aeschylus and War: Comparative Perspectives on Seven Against Thebes (2017). A student introduction to a key writer from the ancient Greek world Zusammenfassung Sophocles, Aeschylus and Euripides are often described as the greatest tragedians of the ancient world. Of these three pivotal founders of modern drama, Euripides is characterized as the interloper and the innovator: the man who put tragic verse into the mouths of slaves, women and the socially inferior in order to address vital social issues such as sex, class and gender relations. It is perhaps little wonder that his work should find such resonance in the modern day.In this concise introduction, Isabelle Torrance engages with the thematic, cultural and scholarly difficulties that surround his plays to demonstrate why Euripides remains a figure of perennial relevance. Addressing here issues of social context, performance theory, fifth-century philosophy and religion, textual criticism and reception, the author presents an astute and attractively-written guide to the Euripidean corpus – from the widely read and celebrated Medea to the lesser-known and deeply ambiguous Alcestis. Inhaltsverzeichnis I. Life and Works II. Spectacular Theatre III. Religion and Philosophy IV. Rhetoric and Relevance V. Literary Sophistication VI. Conflicts: Ancient and Modern Conclusion Bibliography Index...
