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Informationen zum Autor Patricia Hall is Professor of Music Theory at the University of Michigan. Her publications include A View of Berg's Lulu Through the Autograph Sources (University of California Press, 1997) and Berg's Wozzeck (OUP, 2011). Klappentext Throughout history and across the globe, governments have taken a strong hand in censoring music. Whether in the interests of "safeguarding" the moral and religious values of their citizens or of promoting their own political goals, the character and severity of actions taken to suppress and control music that has been categorized as unacceptable, immoral, or as the Nazi's termed the music of Jewish and modernist composers, "degenerate," ranges from economic sanctions to forced immigration, imprisonment, and death. Yet in almost all cases composers found methods to counter this suppression and to let their voices be heard, even through the very music they were often forced to compose for the oppressing parties. In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Case studies address a number of instances both well- and lesser-known, including the tumultuous history of Wagner and Israel, rap music in the United States, silencing of women composers, and music in post-revolutionary Iran. Sections are organized by nature of censorship - religious, racial, and sexual - and type of government enforcement - democratic, totalitarian, and transitional. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience. Zusammenfassung In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience. Inhaltsverzeichnis Introduction Patricia Hall I. Censorship and Religion 1. In the Quest of Gallican Remnants in Gregorian Manuscripts Luisa Nardini 2. The English Kyrie Eleison Alejandro Planchart 3. Government Controls and the Music Printing Industry in the Elizabethan Era Jeremy L. Smith 4. The Sound of Indigenous Ancestors: Music, Corporality, and Memory in the Jesuit Missions of Colonial South America Guillermo Wilde 5."We Should Not Sing of Heaven and Angels": Performing Western Sacred Music in Soviet Russia, 1917-67 Pauline Fairclough 6. A Strident Silencing The Ban on Richard Wagner in Israel Na'ama Sheffi II. Censorship During the Enlightenment 7. Harpocrate at Work: How the God of Silence Protected Eighteenth-Century French Iconoclasts Hedy Law 8. Sex, Politics, and Censorship in Mozart's Don Giovanni / Don Juan Martin Nedbal 9. The Depoliticized Drama: Mozart's Figaro and the Depths of Enlightenment Laurenz Lütteken 10. The Curious Incident of Fidelio and the Censors Robin Wallace III. Censorship in Transitional Governments 11. "Years in Prison": Giuseppe Verdi and Censorship in Pre-Unification Italy Francesco Izzo 12. Micronarratives of music and (self)censorship in the Former Yugoslavia Ana Hofman 13. Popular Music as a Barometer of Political Change: Evidence from Taiwan Nancy Guy 14. Music, Power and Censorship in Vietnam since 1954 Barley Norton IV. Censorship in Totalitarian States 15. Miguel Ángel Estrella (Classical) Music for the People, Dictatorship, and Memory Carol Hess 16. A Case Study of Brazilian Popular Music (MPW) and Censorship: Ivan Lins' Music During Dictatorship in Brazil Thais Lima Nicodemo 17. Alban Berg's "Guilt" by Association Patricia Hall 18. Slow Dissolves, Full...
