Art and Immortality in the Ancient Near East

Far from being a Judeo-Christian invention, apocalyptic thought had its roots in the ancient Near East and was expressed in its art.

Sommario

Introduction; 1. The 'investiture' painting from Mari; 2. The iconographic analysis of the Mari painting; 3. The flood myth as paradigm; 4. The semantics of the frame of running spirals; 5. Implications of sacral time and eschatology; 6. The royal destiny: the 'garden scene' of Ashurbanipal revisited.

Info autore

Mehmet-Ali Ataç studied architecture, art history, and archaeology, earning his Ph.D. from Harvard Unviersity, Massachusetts in 2003. He was Whiting Post-doctoral Fellow in the Humanities at Princeton University, New Jersey (2003–2004) and Hetty Goldman Member in the School of Historical Studies at the Institute for Advanced Study, Princeton (2010–11). From 2004 to 2015, he taught at Bryn Mawr College, Pennsylvania. A scholar of the art of the ancient Near East, he is the author of The Mythology of Kingship in Neo-Assyrian Art (Cambridge, 2010).

Riassunto

There has been a renewed scholarly interest in apocalyptic thought in the ancient Near East. This book probes the visual dimensions and implications of this inquiry, which are otherwise missing in the fields of art history and ancient Near Eastern studies.

Dettagli sul prodotto

• Autori: Mehmet Ali Atac, Mehmet Ali (Bryn Mawr College Atac, Mehmet-Ali Atac, Mehmet-Ali (Bryn Mawr College Atac, Mehmet-Ali Ataç
• Editore: Cambridge University Press ELT
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 31.03.2018
• EAN: 9781107154957
• ISBN: 978-1-107-15495-7
• Pagine: 298
• Categorie: Scienze umane, arte, musica > Arte > Storia dell'arte; ART / History / Ancient & Classical, History of Art, Ancient World, Ancient History, Classical history / classical civilisation, History of art: ancient & classical art,BCE to c 500 CE