Fr. 155.00

Worldly Desires - Cosmopolitanism and Cinema in Hong Kong and Taiwan

Inglese · Copertina rigida

Spedizione di solito entro 2 a 3 settimane (il titolo viene stampato sull'ordine)

Descrizione

Ulteriori informazioni










'Both theoretically rigorous and fun to read, Worldly Desires is a fully cinematic exploration of how the Sinophone cinemas of Taiwan and Hong Kong have imagined exhilarating aspirations to transition from local to world citizenship, as well as more fraught yearnings for global recognition.' Chris Berry, King's College London How does cinema imagine our place in the world? This book looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the idea of nationhood. Examining the cultural, political and industrial overlaps between these cinemas - as well as the areas where they uniquely parallel each other - author Brian Hu brings together perspectives from cinema studies, Chinese studies and Asian American studies to show how culture is produced in the spaces between empires. With case studies of popular stars like Linda Lin Dai and Edison Chen, and spectacular genres like the Shaolin Temple cycle of martial arts films and the romantic melodramas of 1970s Taiwan, this book explores what it meant to be both cosmopolitan and Chinese in the second half of the twentieth century. Brian Hu is Assistant Professor in Television, Film and New Media at San Diego State University. He is also the Artistic Director of the San Diego Asian Film Festival. Cover image: Long Way Home (c) Central Motion Picture Corporation Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-2845-3 Barcode

Sommario










Acknowledgements
Introduction
Chapter 1: Melodramas of Arrival and Departure: jet-set students in 1970s Taiwanese romance
Chapter 2: ABCs, Mixed-race Stars, and other Monsters of Globalization
Chapter 3: Setting the Stage: Hong Kong musical stars take on the world
Chapter 4: All the Right Moves: mobile heroes and the Shaolin Temple film
Chapter 5: The Cosmopolitan Brand: film policy as cultural work in the international film market
Chapter 6: Conclusion

Info autore










Brian Hu is Assistant Professor in Television, Film, and New Media at San Diego State University. He is also the Artistic Director of the San Diego Asian Film Festival.

Riassunto

With case studies of popular stars like Linda Lin Dai and Edison Chen, and spectacular genres like the Shaolin Temple cycle of martial arts films, the book explores what it meant to be both cosmopolitan and Chinese in the second half of the 20th century.

Dettagli sul prodotto

Autori Brian Hu, Hu Brian
Editore Edinburgh University Press
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 30.11.2018
 
EAN 9781474428453
ISBN 978-1-4744-2845-3
Pagine 208
Serie Edinburgh Studies in East Asian Film
Edinburgh Studies in East Asia
Edinburgh Studies in East Asian Film
Edinburgh Studies in East Asia
Categorie Saggistica > Storia > Altro
Scienze umane, arte, musica > Arte > Teatro, balletto

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