Time in the History of Art - Temporality, Chronology and Anachrony

Zusatztext "This sophisticated collection is essential reading for anyone in the humanities attending to the 'temporal turn' in the making and understanding of images."- Mark A. Cheetham! University of Toronto"...This collection is welcome. ...An interesting addition to! and partial survey of! an increasingly topical field."- Journal of Art Historiography Informationen zum Autor Dan Karlholm is professor of art history at Södertörn University in Stockholm. Keith Moxey is professor emeritus at Barnard College/Columbia University. Zusammenfassung Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Inhaltsverzeichnis Introduction: Dan Karlholm and Keith Moxey Part I. Historical Time Chapter 1: Is History to Be Closed, Saved, or Restarted? Considering Efficient Art History Chapter 2: What Time is it in the History of Art? Part II: Post-Colonial Time Chapter 3: Time processes in the history of the Asian Modern Chapter 4: Colonial Modern: A Clash of Colonial and Indigenous Chronologies Chapter 5: Artists, amateurs and the pleated time of Ottoman modernity Chapter 6: The Time of Translation: Victor Burgin and Sedad Eldem in Virtual Conversation Part III: Artist's Time Chapter 7: Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel Chapter 8: Twisted Time: Fernando Bryce’s Art of History Chapter 9: Heterochronies: The Gospel According to Caravaggio Part V: Ontological Time Chapter 10: The Phenomenal Sublime: Time, Matter, Image in Mesopotamian Antiquity Chapter 11: Resisting Time: On How Temporality Shaped Medieval Choice of Materials Chapter 12: Sarah Sze’s The Last Garden and the Temporality of Wonder Chapter 13: Showtime and Exposure Tie. The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks Chapter 14: ‘Objects moving are not impressed’: Reading into the blur ...

Dettagli sul prodotto

• Autori: Dan (Soedertoern University) Moxey Karlholm, Dan Moxey Karlholm
• Con la collaborazione di: Dan Karlholm (Editore), Dan (Sodertorn University) Karlholm (Editore), Karlholm Dan (Editore), Keith Moxey (Editore), Keith (Columbia University) Moxey (Editore)
• Editore: Taylor & Francis Ltd.
• Lingue: Inglese
• Formato: Copertina rigida
• Pubblicazione: 31.03.2018
• EAN: 9780415347440
• ISBN: 978-0-415-34744-0
• Pagine: 254
• Serie: Studies in Art Historiography; Studies in Art Historiography
• Categorie: Scienze umane, arte, musica > Arte > Tematiche generali, enciclopedie; PHILOSOPHY / General, Theory of art, ART / Subjects & Themes / General, HISTORY / General, ART / History / General, PHILOSOPHY / Aesthetics, ART / Criticism & Theory, ART / Conceptual, History of art / art & design styles, Historiography, History of Art