Fr. 156.00

Guitar in Stuart England - A Social and Musical History

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

Descrizione

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This is the first history of the guitar during the reign of the Stuarts, a time of great political and social upheaval in England. In this engaging and original volume, Christopher Page gathers a rich array of portraits, literary works and other, previously unpublished, archival materials in order to create a comprehensive picture of the guitar from its early appearances in Jacobean records, through its heyday at the Restoration court in Whitehall, to its decline in the first decades of the eighteenth century. The book explores the passion of Charles II himself for the guitar, and that of Samuel Pepys, who commissioned the largest repertoire of guitar-accompanied song to survive from baroque Europe. Written in Page's characteristically approachable style, this volume will appeal to general readers as well as to music historians and guitar specialists.

Sommario










Introduction; 1. The guitar in Jacobean and Caroline England (I): court masque and town fashion; 2. The guitar in Jacobean and Caroline England (II): London and lodgings abroad; 3. The restoration court; 4. Regarding the female guitarist; 5. Guitars, gallants and gentlewomen; 6. Samuel Pepys and the guitar all'Italiana; 7. The autumn of the five-course guitar in England.

Info autore

Christopher Page is a Fellow of the British Academy, Professor of Medieval Music and Literature at the University of Cambridge, Professor of Music in Gresham College, London, and one of the world's foremost scholars of historical performance and musical instruments. This book follows The Guitar in Tudor England (Cambridge, 2015), winner of the 2017 Nicholas Bessaraboff Prize awarded by the American Musical Instrument Society. Christopher Page holds the Dent Medal of the Royal Musical Association awarded for outstanding services to musicology.

Riassunto

The guitar is the most played instrument in the West. This book charts its success in England during the seventeenth century, a time of great political upheaval in England. It gathers a rich array of portraits, archival materials and literary works, and will interest guitar enthusiasts as well as music historians.

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