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Zusatztext This volume provides a clear window into medieval Japanese culture and world view. Highly recommended. Informationen zum Autor Keller Kimbrough is a professor of Japanese in the Department of Asian Languages and Civilizations at the University of Colorado! Boulder. He is the author of Preachers! Poets! Women! and the Way: Izumi Shikibu and the Buddhist Literature of Medieval Japan (2008) and the translator of Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater (Columbia! 2013). Haruo Shirane! Shincho Professor of Japanese Literature and Culture and chair of the Department of East Asian Languages and Cultures at Columbia University! is the author and editor of numerous books on Japanese literature! including Japan and the Culture of the Four Seasons: Nature! Literature! and the Arts (Columbia! 2012) and Reading "The Tale of Genji": Sources from the First Millennium (Columbia! 2015! coedited with Thomas Harper). Klappentext Monsters! Animals! and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic! featuring demons! samurai! talking animals! amorous plants! and journeys to supernatural realms. With images from the original scroll paintings! it illuminates a rich world of literary! Buddhist! and visual culture. Zusammenfassung Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizoshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizoshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books. Inhaltsverzeichnis Acknowledgments Introduction! by Haruo Shirane Monsters! Warriors! and Journeys to Other Worlds Haseo and the Gambling Stranger (Haseo soshi) The Tale of the Dirt Spider (Tsuchigumo zoshi) The Demon Shuten Doji (Shuten Doji) The Demon of Ibuki (Ibuki Doji) The Tale of Tawara Toda (Tawara Toda monogatari) The Origins of Hashidate (Hashidate no honji (Bontenkoku) The Palace of the Tengu (Tengu no dairi) Yoshitsune's Island-Hopping (Onzoshi shima-watari) The Tale of Amewakahiko (Amewakahiko soshi) The Origins of the Suwa Deity (Suwa no honji) Buddhist Tales The Tale of the Fuji Cave (Fuji no hitoana soshi) Isozaki (Isozaki) The Tale of the Handcart Priest (Kuruma-zo soshi) Origins of the Statue of Kannon as a Boy (Chigo Kannon engi) Little Atsumori (Ko-Atsumori) The Crone Fleece (Ubakawa) Interspecies Affairs The Tale of the Mouse (Nezumi no soshi) The Chrysanthemum Spirit (Kiku no sei monogatari [Kazashi no himegimi]) The Tale of Tamamiz...
