Ulteriori informazioni
This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw's initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw's important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw's famous but maligned The Quintessence of Ibsenism reflects Ibsen's own anti-idealist notion of his work and argues that Shaw's readings of Ibsen's plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw's "Ibsenist" plays as well as a comprehensive account of Ibsen's importance for Shaw's dramatic criticism, from his early journalism to Our Theatres of the Nineties, both as a weapon against the inanities of the Victorian stage and asthe standard bearer for modernism.
Sommario
Prelims.- 1. The Road to the Quintessence.- 2. The Quintessence of Ibsenism, 1891.- 3. The Ibsenite in the Theatre, 1892-1898.- 4. The Quintessence of Ibsenism Now Completed to the Death of Ibsen, 1913.- Index.
Info autore
Joan Templeton
is Professor Emerita of Long Island University, USA, past President of the Ibsen Society of America and the International Ibsen Committee, and has taught at the universities of Paris-Sorbonne, Tours, and Limoges. Her work includes the books
Ibsen's Women
and
Munch’s Ibsen: A Painter’s Visions of a Playwright
and twenty-five articles in journals, including
PMLA
,
Modern Drama
,
Scandinavian Studies
, and
Ibsen Studies
.
Riassunto
This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of
Peer Gynt,
it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw’s famous but maligned
The Quintessence of Ibsenism
reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his early journalism to
Our Theatres of the Nineties
, both as a weapon against the inanities of the Victorian stage and asthe standard bearer for modernism.
Testo aggiuntivo
“It is a powerful book, worthy of a prize.” (R. F. Dietrich, SHAW The Journal of Bernard Shaw Studies, Vol. 39 (1), 2019)
“Templeton (emer., Long Island Univ.) is an excellent writer and a distinguished thinker. She is also among the foremost experts on Ibsen and an astute interpreter of Shaw. … Summing Up: Highly recommended. Upper-division undergraduates through faculty.” (H. I. Einsohn, Choice, Vol. 53 (03), November, 2018)
Relazione
"It is a powerful book, worthy of a prize." (R. F. Dietrich, SHAW The Journal of Bernard Shaw Studies, Vol. 39 (1), 2019)
"Templeton (emer., Long Island Univ.) is an excellent writer and a distinguished thinker. She is also among the foremost experts on Ibsen and an astute interpreter of Shaw. ... Summing Up: Highly recommended. Upper-division undergraduates through faculty." (H. I. Einsohn, Choice, Vol. 53 (03), November, 2018)
